James M. David: AUTO ’66: for Solo Clarinet and Wind Ensemble
I. Lamborghini Miura; II. Mini Cooper S; III. G.T.O.
This clarinet concerto is scored for Piccolo, 2 Flutes, 2 Oboes, 2 Bassoons, Contrabassoon, 4 Clarinets in B-Flat, Bass Clarinet, B-Flat Contrabass Clarinet, 2 Alto, Tenor and Baritone Saxophones, 3 Trumpets in B-Flat, 4 Horns, 2 Tenor Trombones, Bass Trombone, Euphonium, 2 Tubas and 5 Percussions. The duration of the work is 13 minutes and would be a great choice of a piece to program on the first half of the concert. This work was commissioned by the confederation of following University Wind Ensembles: Arizona State University, Colorado State University, Columbus State University, Eastern New Mexico University, Georgia Southern University, Northwestern State University, South Dakota State University, Troy University, University of Alabama, University of Central Arkansas, University of Western Ontario, Valdosta State University, Western Carolina University and Western Michigan University. Auto ’66 was written in 2011 and was premiered by Wesley Wesley …show more content…
Also, he added rumba there as well to add an extra flair of excitement and exuberating. In order to stay “true” to the universally-accepted idea of a concerto having a “slow” second movement, the composer named the middle movement Mini Cooper S, which without a doubt had a much slower predisposition than the first movement Lamborghini Miura or the upcoming G.T.O. Finale. Holst’s music served as a source of inspiration when David wrote his second English-inspired movement: “Mercury” from The Planets and the intermezzo from the First Suite in E-flat. There are a number of themes from the two famous works by Holst floating around David’s English-inspired second