Othello: The Tragic Hero In William Shakespeare’s Othello‚ Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings‚ his own actions‚ and his fate. His destruction is essentially precipitated by his own actions‚ as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain‚ but is rather a consequence of a wide range of feelings‚ judgments and misjudgments‚ and attempts for personal justification
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several important examples are: knowledge of a partner’s character‚ open communication
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Representations of the Tragic Hero in Othello and Macbeth One of the engaging elements of Shakespeare’s tragic heroes is that they are not monstrosities of virtue but rather people who are simultaneously accessible and elusive; they are made up of qualities and characteristics that we find within ourselves and other characters within the play while exhibiting an intensity that places them beyond our grasp. We come to realize that we have never known such a person (20). This quality of the tragedies
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Kevin Tran English 1AA3 November 14‚ 2013 Sean Ngo Othello: True love in Othello Love between two people is based on mutual attraction and trust. Trust is one of the most important qualities in any relationship and it makes or breaks that bond. In Shakespeare’s Othello‚ the relationship between Desdemona and Othello is convoluted and it can be seen in different ways. It is clear that after his corruption by Iago‚ Othello’s trust in Desdemona is broken resulting in both their deaths. However
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Racism in Othello Racism seems to be a big concern in Shakespeare’s tragic play‚ Othello. Because the hero of the play is an outsider‚ a Moor‚ we have an idea how blacks were regarded in England‚ in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy‚ where Othello is coming from is not mentioned‚ yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African
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In the book “Othello” there are some characters that trust each other and some that don’t trust each other. There are also some that are manipulative so the question us can we ever really know the truth about a person. The way I see it is we cannot really trust a person. This is a reason on why we cannot trust a person is for example the character Iago. In the beginning of the story he says “O‚ sir‚ content you I follow him to serve my turn upon him” (Act 1‚ Scene 1‚ Line 40). Iago is friends with
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Racism in Othello‚ by William Shakespeare‚ plays a major role in the play‚ and Othello’s racist roots eventually destroy all of the main characters. Othello‚ on the outside looking in‚ does not seem like a racist play because it is about a marriage between two people of different races‚ but it is most certainly racist. Upon close examination‚ it is clear to see that the union of a white and a non-white is not accepted‚ and cannot possibly persevere. The outcome of Othello is quite predictable when
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these themes are present in Othello. Most dominant‚ however‚ are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play‚ when Roderigo is jealous of Othello because he wishes to be with Desdemona‚ and to the end of the play‚ when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair‚ but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned
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pursued with only the end result in mind. In William Shakespeare’s plays‚ Othello and Macbeth‚ an underlying connection of the result of blind ambition is presented. Through the use of ambition for power‚ love‚ and mental satisfaction‚ Shakespeare demonstrates that regardless of the source of ambition‚ if it is pursued without regard to morality‚ it results in destruction. Firstly‚ the desire for prestige and power by characters in both plays results in destruction. For example‚ Iago and Macbeth both
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Freudian Reading on “Othello” Is it possible for other people to act as our superegos? What are the effects of never resolving your oedipal complex? And when a situation becomes to over whelming‚ do we project our thought and feelings on to our peers? I am using “Through the Literary Looking Glass: Critical Theory in Practice” by Sian Evans and “Othello” by William Shakespeare to analyse the characters Othello and Iago as well as the major theme jealousy through a Freudian lens. The aim of this
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