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    The Merchant of Venice‚ supposedly written between 1596 and 1598 is classified as an early Shakespearean comedy and also one of the problem plays. Though It is classified as a comedy‚ it has certain aspects of a romance. The play itself is about what could be called a rival between Christianity and Judaism with parts including women’s rights. The Jewish money lending merchant‚ Shylock seeks a pound of flesh from his fellow Christian‚ Antonio from failing to pay back three thousand ducats. Not only

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    Humanities English II -4 21 February 2011 Dialectical Journals: The Merchant of Venice Source | Quotation | Analysis | Act 1. Sc.1 Pg.17Ln. 147-151‚ 153-159 | “In my school-days‚ when I had lost one shaft‚ I shot his fellow of the self-same flight. The self-same way with more advised watch‚ to find the other forth‚ and by adventuring both‚ I oft found both.” “I owe you much‚ and‚ like a willful youth‚ that which I owe is lost; but if you please to shoot another arrow that self-way which you

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    Why the Merchant of Venice is more tragic than comic * “The tragic feeling is invoked in us when we are in the presence of a character who is ready to lay down his life‚ if need be‚ to secure one thing‚ his sense of personal dignity” – Arthur Miller * Leading up to Shylock’s trial he undergoes a lot of struggle with regards to his bond with Antonio where. Antonio deceives Shylock when he doesn’t pay him and escapes the clause of the bond (pound of flesh). * Shylock At the same time

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    take on a more “human” form. Appearance is what others perceive wheres reality underlies appearance; it is also the truth. It is possible that it is not uncommon to see the display of this particular theme in the setting of Venice‚ a centre for business and trade‚ where merchants or businessmen may perhaps be more scheming. Linking the theme of appearance versus reality to social context‚ similar to how Portia hid her true sentiments‚ others may put on masks of deception to achieve what they want while

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    in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud‚ vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men. <br> <br>The Prince of Morocco is the first

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    Character Name: Portia Character Traits: Loyal “Oh‚ me‚ the word ‘choose’! I may neither choose who I would nor refuse who I dislike; so is the will of a living daughter curbed by the will of a dead father. Is it not hard‚ Nerissa‚ that I cannot choose one nor refuse none? (Act 1 Scene 2 lines 22~25) “In terms of choice I am not solely led by nice direction of a maiden’s eyes. Besides‚ the lott’ry of my destiny bars me the right of voluntary choosing. But if my father had not scanted me

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    Anti-Semitism and the desecration of the Jewish population have been in existence for nearly five thousand years. In the Elizabethan era‚ a question of anti-Semitism invariably arises. In William Shakespeare’s The Merchant of Venice‚ we find that one of the characters is the embodiment and expression of anti-Semitic attitude that is pervasive in Elizabethan society. "Anti-Semitism was an intricate part in Shakespeare’s years. Jews were considered vile and scorned upon. Shakespeare presents

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    After reading The Merchant of Venice‚ one may think that Antonio or even Bassanio is the hero. While that may be true‚ there is a possibility that there is no hero. There is a heroine. Portia is not expected in the beginning to emerge as a heroine or even as a major character. She is merely a background character from the subplot. As the play begins to wind down‚ the reader will find many examples in which Portia saves major characters from their own dilemmas. The first (and most obvious)

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    In the Merchant of Venice‚ Shakespeare illustrates his feelings towards Jews in 17th century England through the use of a commonly known stereotype during the time‚ the racial tension between Jews and Christians. Shylock is the focal point of the play‚ and acts as the traditional stereotype of the Jew in Elizabethan times. The merchant of venice is often seen as an anti-semitic work due to the stereotypical portrayal of the jewish character shylock. Some would argue that the most inevitable interpretation

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    previously limited to that of the stage Jew. While most adopted this general theme using it to mock Jews in the hopes of a cheap laugh‚ one play has stood the test of time. This is of course none other then the Shakespearean masterpiece The Merchant of Venice. During the Elizabethan period‚ the concept of a Jew was based on rumour and the occasional public performance‚ for example Christopher Marlow’s infamous play “The Jew of Malta” in which a greedy stage Jew tries to poison‚ murder and generally

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