This essay is comparing paintings of reclining female nudes thru the history of art. - Ingres’ "La Grande Odalisque" and Manet’s "Olympia" a Comparison The reclining female nude has been a recurring image in the history of European art. Each artist through time approaches the subject in a different‚ individualized way. An earlier example of the reclining nude is Giorgione’s "Sleeping Venus‚" created around 1510(see fig. 1). His nude is painted using the clair obscur method with soft‚ blurred lines
Free Nudity Grande Odalisque History of painting
La Grande Odalisque Jean Auguste Dominique Ingres was born on August 28th‚ 1780. He became one of Jacques-Louis David’s most famous and successful students. During Ingres time working with David‚ and eventually turning away from him‚ he became a part of the Neo-Classicism movement; leaving behind‚ but not forgetting the Romanticism methods. Neo-Classicism is the 18th century restoration of tradition principles which lead Ingres to be one of the most famous draftsmen. Ingres was an extremely
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Grande Odalisque by Jean Auguste Dominique Ingres is widely agreed upon to be one of the most alluring and seemingly controversial paintings of its time. The oil painting depicts a female nude lying on her side with her back toward the viewer upon a dark blue quilted bed. With nothing but jewelry and a turban on‚ she gazes over her shoulder giving the viewers a somewhat inviting look. In this piece‚ Ingres paints vague detail in the woman’s face only showing basic facial features and minimal expression
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in between art has gone through transformations and has evolved into some of the most controversial‚ priceless‚ and famous pieces of work on display around the world to this day. In the two paintings that I am comparing The Grand Odalisque by Jean Auguste Dominique Ingres and The Whistlers Mother by James Abbot McNeill you will not only see how art transformed within a matter of sixty years but also how culture and society is reflected in each work of art. In addition you will also see how women’s
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Resting Girl (Marie-Louise O’Murphy)/Reclining Girl by François Boucher (1751) and Grande Odalisque by Jean Auguste Dominique Ingres. Resting Girl (Marie-Louise O’Murphy) (1751) by François Boucher‚ also called Reclining Girl or Blonde Odalisque‚ depicts 14-year-old Marie-Louise O’Murphy de Boisfaily in a sensuous pose. It is said the painting’s purpose may have been for Marie-Louise to offer herself as an odalisque‚ or mistress‚ to Louis XV of France and‚ although her true intent must be left to speculation
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French Rococo Era Painter‚ 1703-1770 Francois Boucher seems to have been perfectly attuned to his times‚ a period which had cast off the pomp and circumstance characteristic of the preceding age of Louis XIV and had replaced formality and ritual by intimacy and artificial manners. Boucher was very much bound to the whims of this frivolous society‚ and he painted primarily what his patrons wanted to see. It appears that their sight was best satisfied by amorous subjects‚ both mythological and contemporary
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The paintings of Jean-Auguste-Dominique Ingres and Frank Duveneck show the juxtaposition between the high society‚ in the portrait of Mademoiselle Jeanne Gonin‚ and the gritty working class population‚ in the painting The Cobbler’s Apprentice. These oil-on-canvas portraits reflect their differences through stylistic qualities and subject matter‚ through the use of brush stoke and light they convey different messages to the viewer. Ingres’ painting of a somber looking wealthy woman is an oil-on-canvas
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2013 2013 Keri Shea Butter 301210025 Zijing ling Keri Shea Butter 301210025 Zijing ling Jean-Auguste-Dominique Ingres‚ La Grande Odalisque‚ 1814 This is a 2006 advertising campaign of Keri new skin-care product‚ Keri Nourishing Shea Butter lotion. It is a remake and reproduction of a well-known painting “La Grande Odalisque” by French artist Jean-August-Dominique Ingres. The written message states this “experience the timeless beauty of being a woman with Keri Shea Butter. Enriched with
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1538‚ Titian Vecelli painted in the period referred to as the High Renaissance; being a study of methods systems and standardized practice of art. Along with Grande Odalisque‚ 1814‚ Jean-Auguste-Dominique Ingres‚ painted during the Neo-Classical period; concerned with the ideal‚ harmonious‚ naturalistic style of art. Titian and Ingres were considered some of the most important artists of their time; credited with being both progressive and conservative. Noting the paintings and painters alike stand
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The elephant in the Art room The mother the other Addressing the elephant in the Art room Linda Nochlin posed the question in her 1971 article “Why Have There Been No Great Women Artists? Arguing it was necessary to question “the unstated domination of white male subjectivity” that shaped the art historical canon; the article explored the reasons for the severe asymmetry of female to male artists throughout the course of art history. When examining western art as viewed through the canon one must
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