The film Reel bad Arabs is basically about how Hollywood movies vilify the Middle Eastern. The film is a collection of movies where it involves different situation in Middle Eastern and mostly they are all violence. They concluded the Middle Eastern by the action of some people instead of the whole community. From Dr. Jack Shaheen‚ his opinion is that the American Government and Hollywood are worked together to support to war Arabs. In my opinion‚ I agree with Dr. Shaheen‚ from the film‚ most of
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Martin Scorsese Since the dawn of filmmaking‚ directors have used their personal experiences to influence their films. They try to evoke some form of emotion out of the viewer based off of something that they find very familiar to them. Martin Scorsese’s Italian heritage helped to shape his directorial style in films. Martin Scorsese was constantly surrounded by all things Italian. He was born on November 17‚ 1942 in Corona‚ Queens‚ New York (LoBrutto‚ 11). He lived in Corona‚ an Italian dominated
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found “Easy Riders/Raging Bulls” by Peter Biskind to be a fantastic portrait of the best dozen years of American film and the insane circumstances that created them. The reading included many features in one‚ cultural anthropology‚ film criticism‚ and gossip. This book is an excellent account of the film industry revolution during the 60’s and 70’s. It focuses more on the directors and not the actors‚ which is good because most of the decent directors of that time were completely out of their minds
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Issues: right of privacy‚ rights to publicity‚ defamation. 6. The legal structure of business: partnerships corps‚ LLC’s‚ insurance‚ and taxes. Sources of entertainment law: 1. U.S. Constitution First Amendment: How the constitution affects the filmmaking. 2. Codified Law: a. Federal Statutes (laws) b. State Statutes c. Local Ordinances/Laws. E.g.: LA requires every film getting a permit to shoot. 3. Judicial Decisions: Doctrine of Stare Decisis (let the decision stand). Common law. Court decisions
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Notes from film: What is Cinema January-10-13 8:13 PM • An art form‚ an artistic spectacle‚ an aesthetic language with its own grammar and style‚ a ‚medium of communication and expression • A series of still image on a strip of plastic which‚ wen run through a projector shown on a screen‚ creates the illusion of moving images. • Form ( film language) and content ( message) are linked. The message is understood through its form or language by exploring how it uses
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the filmmakers were also successful with their use of various components of cinematography. One critic said that “City of God is a wildly entertaining film. The sheer energy of the movie is never less than compelling. Meirelles pulls out every filmmaking trick in the book‚ utilizing freeze-frames‚ montage‚ flashback‚ quick-cutting‚ and even strobe lights” (Millikan 1). I will analyze various scenes from the film and explain how each successfully applied film techniques. “The techniques that I
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‘Kill Bill: Vol 1’ (2003) – Challenging Censorship How ‘Kill Bill: Vol 1’ challenges censorship through the artistic aestheticisation of violence. Cult Ashley Barnett This essay is going to discuss how ‘Kill Bill: Vol 1’ challenges censorship through the artistic aestheticisation of violence. Regulations regarding film release have been in place since the dawn of home entertainment systems‚ enforcing laws and protocols about what can be viewed and by whom‚ this caution of who can view certain
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dazzling and magical gem that embraces the very essence of film itself. You can sense an irony in how it uses the latest 3-D technology to remember the earliest existence of filmmaking‚ but there is a more profound explanation behind this technique: As a majestic tribute to silent films and a landmark in 3-D filmmaking‚ “Hugo” acknowledges the eternal significance of the past while simultaneously providing needed hope for the future. A great portion of Hugo is set in the Montparnasse station
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likeable sports flick. Though there is a large time gap between the two films‚ they have similar messages and much in common. In Any Given Sunday‚ Oliver Stone takes on professional football‚ a sport‚ whose delicacy proves to be a good match for his filmmaking style. The film is basically the story about a fictional professional football team‚ known as the Miami Sharks. Tony D’Amato‚ the head coach of the Sharks‚ won back-to-back championships and is used to success. However‚ the young‚ new owner‚ Christina
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increased advertisement of various new products in the market. Consumers were bombarded with features of the new products‚ which worked in their favour which is why Americans were eager to own the latest products‚ thus the increase in consumerism. Filmmaking during the 20s also prospered to the extent where they were able to attract audiences‚ as well as their money. Prior the 1920s‚ filmmakers realised that audiences wanted to identify themselves with the "heroes" and "heroins". This led to the production
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