"Disguise and trickery in the merchant of venice" Essays and Research Papers

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    hero’s private consciousness‚ this article asks‚ “Has Shakespeare provided the means‚ in words or action‚ whereby this hero [Hamlet] comes‚ at last‚ to be ‘denoted truly’?” (18). Throughout Hamlet‚ the protagonist speaks ambiguously. His linguistic trickery only heightens the audience’s anticipation of resolution (and revelation of Hamlet’s inner thoughts). Yet the last line of the dying Prince—“the rest is silence” (5.2.363)—proves particularly problematic‚ with a minimum of five possible readings

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    In the merchant of Venice written by William Shakespeare‚ a Christian named Antonio asks to borrow money from the Jewish money-lender shylock. Bassanio is the Christian that asks Antonio to borrow the money from shylock so he could marry the fair‚ rich‚ maiden Portia. Jews were treated with racial discrimination by the Christians‚ simply because of their religion. In Shakespearean Venice the jews were forced to live in the “ghetto” part of Venice. They were also forced to wear a red hat whenever

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    BBC - GCSE Bitesize: Shylock www.bbc.co.uk › Home › English Literature › The Merchant of Venice‎ Shylock. An illustration of Shylock. He is a Jewish moneylender who earns his ... you know about Shylock‚ do you consider him to be more a villain or a victim? Is Shylock a victim or villain wiki.answers.com › Wiki Answers › Categories‎ So‚ Shylock is the victim of anti-Semitism but his overreaction makes him a villain. The sentence of the court upon him‚ however‚ is so harsh that by the end of the

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    Trickery and deceit are two central themes that thrive throughout the play. To a couple coming from stubbornness and denial‚ to love and affection. To a couple looking to marry‚ to hating each other soon after. However both take an important role in bringing people together‚ bringing out the romance. Beatrice and Benedick‚ two main characters in the play who are confused about each other‚ always in denial. They both don’t believe in love‚ they think it is foolish and a waste of time. Right as they

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    make his work so great. The first example of helpful trickery is the role deception plays in joining the two main couples: Claudio and Hero‚ and Beatrice and Benedick. The latter‚ the witty and disputing characters that claim they will never marry‚ are brought together by the mischief of their friends. Tricked into believing the other has feelings for them‚ Beatrice and Benedick develop feelings for one another. This effect of trickery helps the play by creating humor within the characters‚ playful

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    when a maid is washing Odysseus’ feet‚ she discovers him for who he actually is. Later‚ Penelope explains a dream to Odysseus and he interprets it for her. Book 19 emphasizes sons taking on responsibility‚ the importance of home‚ and the use of disguises. There are numerous points in Book 19 where Telemachus has to take on responsibility in order to help his dad overcome the suitors and win back Penelope. One example of this is displayed when Odysseus is getting ready to fight the suitors

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    evolution of Shylock in The Merchant of Venice‚ especially on the German stage‚ is a great example of this simultaneous influence of society and change. “The history of The Merchant of Venice gives us a glimpse of the changes in the theatre over a period of 360 years while the history of the playing of Shylock gives us the groundwork for some generalizations as to the shifts of social attitudes over the same period” (Lelyveld 3). Written as a comedy‚ The Merchant of Venice has undergone a sort of genre

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    http://www.rtjournal.org Published by the Religion and Theatre Focus Group of the Association for Theatre in Higher Education The Journal of Religion and Theatre is a peer-reviewed online journal. The journal aims to provide descriptive and analytical articles examining the spirituality of world cultures in all disciplines of the theatre‚ performance studies in sacred rituals of all cultures‚ themes of transcendence in text‚ on stage‚ in theatre history‚ the analysis of dramatic literature‚ and

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    and to which he added his own inventions. One of Ridge’s stories is about a young woman who disguises herself as a young man and goes to work for a handsome young lord with whom she promptly falls in love. The young lord orders his new employee to go off and win the love of a beautiful woman that he desires. The heroine in disguise tries her best‚ but the beautiful woman falls in love with her disguise. Comic confusion results. Ridge had stolen this story line from an Italian play written earlier

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    which they deal with the play’s key issues. There are three particular speeches that have been spoken about for many centuries because of their underlying messages- Katharina’s final speech in The Taming of the Shrew‚ Portia’s speech in The Merchant of Venice‚ and Hamlet’s soliloquy in Hamlet. In The Taming of the Shrew‚ Katharina gives the final speech of the play. She speaks to all of her family and friends at the wedding and allows them to see the changes in her character. Katharina says to

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