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    ATCL Recital

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    ATCL Recital (Piano) Kwan Liang Hao (Candidate ID number) Date ‚ Time Exam Venue CONTENTS I. JOHANNE SEBASTIAN BACH---------------TOCCATA IN E MINOR‚ BWV 914 (1685-1750) (TIME) II. LUDWIG VAN BEETHOVEN---------------SONATA IN C MINOR‚ OP.13 NO.8 – (1770-1827) ‘PATHETIQUE’ (TIME) i. GRAVE : ALLEGRO DI MOLTE E CON BRIO ii. ADAGIO CANTABILE iii. RONDO : ALLEGRO III. FREDERIC CHOPIN------------------------IMPROMPTU IN C-SHARP MINOR‚

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    in the brilliant key of D major with trumpets and timpani. This chorus is often performed out of context‚ especially around Christmas. People like this chorus and will stand to listen to this chorus. Johann Sebastian Bach(1685–1750)-- Brandenburg Concerto: Johann Sebastian Bach was a German composer‚ organist‚ harpsichordist‚ violist‚ and violinist of the Baroque Period. He is called the “Father of Music”. He enriched many established German styles through his skill in counterpoint‚ harmonic and

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    its modular moorings. Prelude‚ Trio‚ and Fugue in G Major‚ BWV 541- Johann Sebastian Bach (1705) The Prelude and Fugue in G Major‚ BMV 541 is one of Bach’s most extravagant free works. The prelude consolidates the toccata figuration of the North German stylus phantasticus with the cadenced drive of the Vivaldian concerto. The rehashed note fugue subject‚ a genuinely normal device in German praeludia‚ bears a specific similitude to other Bach fugues‚ however the G-real fugue has its own identity take

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    Cello Suites

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    Question 3 Bach’s unaccompanied suites for cello are amongst the composer’s most celebrated and important works. What are the reasons for the suite’s enduring popularity? Bach’s unaccompanied cello suites are highly celebrated works in the modern era. They have been used successfully in advertising campaigns and proven to be popular in classical music consumer’s playlists. However when they were originally written the pieces were not as well appreciated as they are today. Why was this the

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    J. S. Bach and the Second Brandenburg Concerto In December 1917‚ Johann Sebastian Bach began working as Prince Leopold of Cothen’s Kappelmeister (German: “chapel master‚” director of music)‚ tasked with composing for celebrations and holidays. A lover of music‚ the prince held Bach in high esteem; paying Bach more than twice the salary of his predecessor. Restricted by the chapel’s low-quality organ‚ Bach negotiated for new instruments in Carlsbad and Berlin‚ traveling with the prince throughout

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    general is that I truly enjoy it. Until now I never showed much interest into it because‚ I was not sure what I was listening to. I have chosen to limit my descriptions to Bach‚ Beethoven‚ Mozart‚ and Vivaldi. You will be able to understand the music that I describe here‚ and possibly gain more enjoyment after reading this paper. Bach Suite No.1 Prelude in G minor; performed by Georg Mertens‚ this piece of music was created in the Baroque time. The music played‚ without any sheet music‚ the rhythm

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    It is written for a five stringed cello. The Prelude of the D major prelude is the longest and grandest of the 6. It is an exuberant fast flowing introduction into D major. It is one of the only two movements Bach indicated dynamic. Bars are frequently written in repeated pairs‚ the first one strong‚ and the second one is an echo of the former one. The only other movement in the 6 cello Suites that has dynamic markings is the Sarabande in D minor. The Allemande

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    baroque music essay

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    Walls‚ Peter‚ ed. Baroque Music‚ The Library of Essays on Music Performance Practice‚ series editor Mary Cyr. Farnham‚ Surry‚ UK‚ and Burlington‚ VT‚ USA: Ashgate‚ 2011. ISBN 978-0-7546-2882-8. David Schulenberg Copyright 2012 © Claremont Graduate University In the sciences‚ there are foundational articles on which entire disciplines are founded. Physicists today rarely read the papers in which Einstein demonstrated the principles of the theory of relativity‚ but thousands of papers based

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    Concert REview

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    Martin performed Nel cor piu non mi Sento by Givoani Paisiello by singing opera. Steven Haga played Scherzo No. 2 in Bb Minor‚ op. 31 by Frederic Chopin on the piano. Lastly‚ Ron Cowler performed Chromatic Fantasy and Fugue in D Minor‚ BWV 903 composed by Johann Bach on the piano. These were all considered classical music performances. One musical performer that caught my attention was Donald Victor Leopold who performed Kinderszenen‚ op. 15‚ composed by Robert Schumann on the piano. The composer

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    Program Note

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    English Suites No. 2 in A minor‚ BWV 807 J. S. Bach (1685-1750) Prelude Allemande Courante Sarabande Bourrée I‚ Bourrée II Gigue Polonaise No. 1‚ S. 223/1 Mephisto Waltz No. 1‚ S. 514 Franz Liszt (1811-1886) Romeo and Juliet: Ten Pieces for Piano‚ Op. 75 Sergei Prokofiev (1891-1953) 1. Folk Dance 2. Scene: The Street Awakens 3. Minuet: Arrival of the Guests 4. Young Juliet 5. Masks 6. Montagues and Capulet 7. Father

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