Baroque Period – Bach Toccata and Fugue in D minor The Toccata and Fugue in D minor‚ BWV 538‚ is an organ piece by Johann Sebastian Bach. Like the better-known BWV 565‚ BWV 538 also bears the titleToccata and Fugue in D Minor‚ although it is often referred to by the nickname Dorian — a reference to the fact that the piece is written without a key signature — a notation that is uncommon today and leads one to assume the Dorian mode. However‚ the two pieces are quite different musically‚ it is nearly
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Sebastian Bach (1685–1750) BWV 1020 The Sonata in G minor‚ BWV 1020‚ is traditionally attributed to Bach‚ but it is almost certainly not a work by J.S. Bach; it may‚ however‚ have been composed by his son C.P.E. Bach. The originally intended ensemble seems to be flute and harpsichord‚ but the work is commonly performed on both flute and violin. Anyways‚ this is an elegant piece of lateBaroque chamber music‚ and it is not put to any shame by the six unquestionably authentic flute sonatas by J.S. Bach. The
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can make me relax and ignore the noise that around me. I attended the concert on October 5 at 8:00pm. Contrapunctus XIX‚ from The Art of the Fugue‚ BWV 1080 by Johann Sebastian Bach‚ Metamorphosen by Richard Strauss and Symphony No.7 in A major‚ Op.92 by Ludwig Van Beethoven were performed. The style of Contrapunctus XIX‚ from The Art of the Fugue‚ BWV 1080 is set progresses to double‚ triple‚ and mirror fugues‚ culminating in a quadruple fugue. Metamorphosen is a memorial elegy. Symphony No.7 in
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SYLLABUS UPDATES (2010 reprint) This syllabus is valid worldwide from January 2005 and will remain in force until further notice. At the reprint of this document in late 2010‚ the following minor changes have been incorporated into the text: G updates to the publisher information in the repertoire lists (and Appendix 4) G updated information regarding UK accreditation (p. 122) In all other respects the syllabus requirements remain unchanged. Cover design: Økvik Design Text design: Tamasin
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MUS 102 – Section 04 Final Paper – Classical Concert Date of Performance: May 9th‚ 2012 Place: Juilliard School 60 Lincoln Center Plaza New York‚ N.Y. Paul Recital Hall Performances by: Daniel Taubenheim‚ Trumpet and Trevor Nuckols‚ Horn On May 9‚ 2012 at 8:00 pm‚ I attended a Recital Concert at The Juilliard School for Dance‚ Drama and Music. The performance was conducted by Daniel Taubernheim on the trumpet and Trevor Nuckols‚ on the horn. They were both students of
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Fugue in A flat‚ BWV 862 (No.17 from The Well-tempered Clavier‚ Book I) by Johann Sebastian Bach Prelude Fugue Sonata in A major‚ K. 331 by Wolfgang Amadeus Mozart Theme and variations Minuet with trio Rondo Nocturne in B flat minor‚ Op.9 No.1 by Frederic Chopin Waltz in E-flat major‚ Op. 18 by Frederic Chopin Trios Novelettes‚ Nos. 1 and 2 by Francis Poulenc Novelette I in C major Novelette II in B-flat minor Prelude and Fugue in A flat‚ BWV 862 (No.17 from
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Square Programme J.S. Bach Prelude and Fugue in D minor BWV 851 [duration] J. Haydn Sonata in E flat major Hob. XVI:49 I: Allegro II: Adagio e cantabile III: Finale: Tempo di Minuet [duration] F. Schubert Impromptu in G flat major Op. 90 No. 3 [duration] F. Poulenc Trois Novelettes No.1 and No.2 I: C major II: B flat minor [duration] [total duration] Prelude and Fugue in D minor BWV 851 (from the Well -tempered Clavier Part I) Johann Sebastian Bach (1685-1750) J.S. Bach was a German composer
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music in all the genres sounds like it is by Bach.” – Joel Lester Very few theorists touch upon the topic of motivic and structural coherence in Bach’s dance suites. The keyboard and lute suites deservedly have more published analyses than the string suites - considering there are simply more of them - leaving the cello and violin suites pristine and practically untouched‚ and unjustifiably so. The most obscure are the violin suites‚ particularly the BWV 1006 in E major. With the exception of the
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chorale set the framework for his branch of Christianity. The chorale he composed was so well-known that future composers used it in their pieces as well. This includes‚ but is not limited to: Dietrich Buxtehude‚ Johann Pachelbel‚ and Johann Sebastian Bach. Even though the way these composers utilize the chorale is different‚ they all use it in unique ways to express their artistic abilities and differences. The Reformation was the movement connected to Luther. In 1517‚ he placed the Ninety-Five Theses
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| | Word Count: 1‚085 words | | | | | Partita for solo violin no.3 in E‚ BWV 1006 J.S Bach (b. 21 March 1685 in Eisenach;d. 28 July 1750 in Leipzig) Bach was the son of Johann Ambrosius Bach‚ court trumpeter for the Duke of Eisenach and director of musicians of the town of Eisenach in Thuringia. It is probably from his father that he learned the fundamentals of music. The Bach family throughout Thuringia had held positions such as organists‚ town instrumentalists‚ or Cantors
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