A Film Analysis of Inception

Topics: Christopher Nolan, Leonardo DiCaprio, Batman Begins Pages: 7 (2794 words) Published: March 26, 2013
A Film Analysis of Inception

If “true inspiration is impossible to fake,” explains a character in Christopher Nolan’s existentialist heist film Inception and If that’s the case, then Inception is one of the realest films ever made. In July of 2012 Nolan crafted a movie that’s beyond brilliant and layered both narratively and thematically. It requires the audience to take in a collection of rules, exceptions, locations, jobs, and abilities in order to understand the text, let alone the fascinating of the subtext. Nolan’s magnum opus is his first major blockbuster in over a decade that demanded an intense viewer concentration. It raised thoughtful and complex ideas, wrapping everything in a breathlessly exciting action film. Inception may be complicated, but simply put it’s one of the best movies of 2010. Inception requires so much exposition that a lesser director would have forced theaters to distribute pamphlets to audience members in order to explain the complicated world he’s developed. The movie centers on a team of individuals led by an “extractor” named Dom Cobb (Leonardo DiCaprio) who is a thief who commits corporate espionage by infiltrating the subconscious mind of his target. When he is offered a chance to regain his old life as payment for a task considered to be impossible. He constructs a dream of a high value target and used this dreams to implant an idea so the target will make a decision beneficial to the individual who hired Dom Cobb. To give a full description of this movie would almost take as long as watching the movie it self but that is why I choose to do a review on Inception. This creation of Director Nolan and Wally Pfister is both gripping and complex in the way that they apply the uses of lighting and angles, CGI, music, and mise en scene to create a master piece that has yet to be imitated or duplicated.

To know the movie, one needs to know who wrote it, produced it, and directed it. He was born in London, England in 1970, where Christopher Nolan began making films at the young age of seven using his father's super 8mm camera and an assortment of malefaction figures. He graduated to making films involving real people and his super 8mm surreal short film Tarantella was shown on PBS Image Union in 1989. Chris studied English Literature at University College London while starting to make 16mm films at the College Film Society. His short film Larceny was shown at the Cambridge Film Festival in 1996, and his other 16mm shorts include a three- minute surreal film called The Doodlebug. Major films that he has directed are The Following, Memento, Insomnia, Batman Begins, The Prestige, The Dark Knight, The Dark Knight Rises and he is currently producing the Man of Steel, a remake of Superman, set to be released in 2013. Most of his movies are based in action and adventure but still have a little bit of science fiction, which gives the film a surreal feeling to them. Nolan usually begins his movies with a personal touch by introducing the main character/s with a Close-up shot of their hands. He is also known for making use of flashbacks or scenes from the end of the movie as an opening. Most of the movies that he directs are usually about characters who have some kind of psychological disorders or who develop a physical or psychological handicap throughout the film. In the case of Inception, the main character Dom Cobb wakes up on the shore with his hands trying to reach or point out to his children who were playing with the sand. This scene reappears again in the end and plays an important role to explain the essence of the movie. The psychological handicap that is portrayed within the main character, can also be considered the main protagonist in this movie but that is not revealed until the closing scene of the movie.

The Cinematographer Walter C. “Wally” Pfister is known for his work with Christopher Nolan’s films, including Memento, Insomnia, Batman Begins, The...

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