Vancouver-"Hollywood North" vs the Loss of Canadian Identity

Topics: Film, Vancouver, Film production Pages: 6 (1848 words) Published: January 21, 2013
Title: Vancouver --“Hollywood North”
Versus the loss of Canadian identity


Term Paper

CMNS 130

Introduction: 1 Vancouver is being called “North Hollywood” because a vast of film producers decide to set up their shooting places at BC, Canada. Vancouver is deserved to be rewarded as this special title because it’s unique beauty of the diverse sceneries and the sophisticated filming technologies. These inputs have already attracted by Hollywood and lead the U.S. film industry entry into making the huge quantity of "runaway production" era. "The 2001 Report concluded that the 1998 Canadian production incentive programs were very successful in attracting production from the U.S.A"(StephenM.Katz, 2006, p.1). question has been brought into the public attention and this paper will mainly focus on: why does Canada not encourage their own domestic film industry, but would rather give foreign film industry tax incentives. Additionally, due to the growing number of American movies crushed into the Canadian entertainment market, this paper will also discuss both the positive and negative effects emerged under this issue. The tax incentive given by the Canadian government cannot be denied for one of the reason to turn BC as well known as"North Hollywood": “ Foreign production companies will see the Production Services Tax Credit jump to 25%, with an unchanged 6% bonus for work done outside the Vancouver area.”("BC Announce 35% Film Incentive Credit", 2008). Actually, not only BC is doing such things but also New Zealand. Newman illustrates "The film and television production industry is significant in both New Zealand and British Columbia. Governments in both localities provide substantial support for the industry through government agencies and tax

2 incentives".(Newman.D,2005,abstract).Currently, BC is directly toward into a service-oriented country by providing the U.S. big financial profits. This strategy seems to become a really effective approach to enlarge their awareness toward the global without promoting their own film industry but rather borrowing their beauty to U.S.

Takaki and Shoot explains that "some of the U.S. Film associations like SAG (Screen Actors Guide) and FTAC (Television Actions Committee) already had an unpleasant attitude toward the Canadian federal government's tax incentive legislation "(Takaki,Millie&Shoot, Film&Television,2001). They are not encourage the U.S. film industry to do the runaway productions in order to persist the U.S. rights and promoting their own movie domestically. Currently, there are a lot of such top-grossing movies include:"X men, Silent Hill, Mean girls,etc(Chris Hamilton, 2008) ". Apparently, there are both advantages and disadvantages behind the runaway production for both U.S. and Canada.Take the employment issue as instance:the loss of the job opportunities would be one of the serious concern towards the Americas because the film producer would prefer to hire the local employers rather than bring the workers all the way to B.C. This is aiming of saving appropriation expenditure. Many people like Pendarkur M hold the belief of: “creating employment is more important than fighting for better wages and working conditions”(Pendarkur, 1998). Basically, this idea is fairly straight forward which stand for it's way much better to

3 have a job rather than getting a better wages and working conditions provided by their boss. In this way, the employment is seen as the "priority" of one country. Nevertheless, we still cannot deny the advantages and disadvantages it brought to BC and U.S. The optimistic effects might probably cause a decrease unemployed rate for the Canadians. In another words, more Canadians would find...

References: "David, Skinner. (2010) “Minding the Growing Gaps: alternative media in Canada” In Leslie R.S(ed.) Mediascapes. Nelson College Indigenous Press.
Famous Movies Filmed in Canada | Cinemaroll. (n.d.). Cinemaroll | film making, from the viewers ' perspective. Retrieved March 24, 2011, from
Newman, D
British Columbia, 1990-2005. Media International Australia Incorporating Culture & Policy, (117), 11-30. Retrieved from
Pendakur, M. M., Sussman, G. G., & Lent, J. A. (1998). Hollywood north: film and TV production in Canada. In , Global Productions: Labor in the Making of the Information Society (pp. 213-238). Retrieved from EBSCOhost.
Pendakur, M. (1990). Canadian Dreams & American Control: The Political Economy of the Canadian Film Industry. Retrieved from EBSCOhost.
Takaki, Millie&Shoot,( 12/14/2001). Dispute Heats Up Over Runaway Tariff Proposal. Film & Television Literature Index with Full Text (Vol. 42, Issue 50)
Vancouver Film
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