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If there is no “bed…large enough to lay him on,” and he cannot fit into “the tallest [man’s]…pants,” he is certainly unrealistically tall. It is hard to believe that a human body can barely fit into a house and cannot fit into any of the men’s clothing in the village. Esteban is described as ridiculously tall and therefore, the women had to make his “pants from a large piece of sail.” Moreover, Esteban cannot be a real person because he is too tall, and there is no person that cannot fit into a house because he or she is too…
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The narrative of Olaudah Equiano is truly a magnificent one. Not only does the reader get to see the world through Equiano's own personal experiences, we get to read a major autobiography that combined the form of a slave narrative with that of a spiritual conversion autobiography. Religion may be viewed as at the heart of the matter in Equiano's long, remarkable journey. Through Equiano's own experiences, the reader uncovers just how massive a role religion played in the part of his Narrative and in that of his own life. More specifically, we learn of how his religious conversion meant a type of freedom as momentous as his own independence from slavery. As one reads his tale, one learns just how dedicated he his to that of his Christian faith; from his constant narration of the scriptures to the way that Equiano feels a growing sense of empowerment from the biblical texts for the oppressed community. However, at the same time, one may question Equiano's own Christian piety. Did Equiano really seek to tell the tale of his soul's spiritual journey, did he really believe God would set him free or was he simply using religion as a ways of manipulating British and American readers to accept him as a credible narrator. Regardless of which of these facts is true, religion is quite possibly the defining feature of his life story.…
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Much of the narrator's personality is revealed in the cemetery. The reader learns that he knew the truth about her, but that after she died, he only thought good things about her. He did not reflect on the horrible things he knew she did to him, but rather on the strong love he felt for her. This shows us how great his love for her was and how he could forgive and forget the things she did to him. This also shows that he wished that they could have been together longer and that he still loved her, even after what she did to him. Since the reader learns that he knew about his wife, but did not confront her while she was alive, shows us that he was in denial because his love for her was so strong. The ghosts' that the narrator sees in the cemetery are actually…
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Gabriel Garcia Marquez intoduction of “The Handsomest Drowned Man in the World” already questions the story just from the thought of the title. How can a drowned man be handsome is the main question. The title of the story itself portrays imagery, allegory and imagery. This handsome drowned man is the main character of this whole story.…
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It was a process for the Handsomest Drowned Man to become a myth in the Garcia Marquez story with the same name. The first step is the women to notice how tall he is, how large his muscles are, and how handsome he is. This led to them coming to conclusions of what his life was like and what his name was, which made them think his name might be Esteban. After that, the villagers gave him a funeral where everyone adopt he to their family. Lastly, the villagers decided to make some major changes to the village; those changes consist of making their homes bigger so that someone of his stature could fit comfortably and planting flowers in his honor, and that made soon be known as “Esteban’s village” (8).…
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The story is about a man who eagerly wishes to rid his body of his soul, and to…
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Can the presence or absence of love determine whether a person is truly living or is not living at all? James Joyce’s “The Dead” is a work of the Modern era. In keeping with the time, this short story focuses on self-reflection and isolation. Throughout the story, the main character Gabriel is desperately searching for where his position is in the world. Gretta, his wife, also seems to live as merely a shadow of her former her. Although the story is predominately centered on Gabriel, the marriage between him and his wife is of significant importance. Both Gabriel and Gretta struggle to find happiness in their marriage and more importantly, their lives. The various interactions between Gabriel and Gretta reveal a lack of desire, distantness and melancholy. In “The Dead,” Joyce uses Gabriel and Gretta’s relationship to communicate the desolation and isolation one may have felt during the modern era.…
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There is a double standard for men and women in Chronicle of a Death Foretold. The social norm of society is to hold women accountable for their purity and beauty and it is expected for a young woman to be married as a virgin then take care of the family. The men don’t have any real expectations except to protect and support the family once they are married. Society allows men to go to brothels and have sex with women but the women are reprimanded for having sex. The double standards are a reflection of Marquez’s ideas of the hypocrisy of the catholic religion and its followers. The people of the society follow some of the laws of the bible religiously but other aspects are completely disregarded.…
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Catholicism is the main religion in Spain. There are also some Jews who have settled in Madrid, Barcelona, Cordoba and Sevilla. There are some Anglicans in Spain. There has been a lot of dispute between the Catholics, Muslims Jews and Protestants. Christians were defeated and Christianity was adopted by the masses. Catholic religion was taken as the religion of the state when a Concordant was signed with Vatican. There were many religious figures from Spain over hundreds of years. Pope Alexander VI and Pope Callixtus III along with over twenty nuns are many examples of important figures. Except Josemaría Escrivá de Balaguer and Joseph Calasanctius were two of Spain’s more famous religious figures and are now considered Saints.…
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Only upon revisiting the old footage years later, following the death not just of Santiago but also of his own parents and driven by “a desire to return home,” does Moreira Salles realize that the butler’s obedient self-revelation to the documentarian’s camera was, above all, a performative reembodiment of the complex class relationship between the child João and Santiago the manservant, who, in addition to being a domestic servant was also the Moreira Salles children’s confidante and educator. Moreira Salles’s revelation is stunning: “He never ceased to be our butler, and I the son of his boss.” However, as I hinted earlier, the voice that reads these lines is not that of João, but of Fernando Moreira Salles, the director’s brother. This displacement of the words of one brother onto another is interesting because it underscores yet again the film’s refracted, intersubjective construction of the memory of a lost past that can only reemerge on being confirmed in the voice and gaze of another. As Ilana Feldman puts it, Moreira Salles, on “adhering to a perspectivism that excludes from the outset any predetermined relation between subject and…
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Everyman, a morality play, utilizes ten characters to guide Everyman on his journey towards death. Through the plot Everyman is chosen by god as an example to all humans. God feels unappreciated and is not happy with human obsession over material goods. Plot is used as a device to place events in sequence to make up a theme. Cause and effect is a tool of plot used in Everyman. The author uses Fictional and allegorical characters to help the protagonist learn a lesson. The author’s use of allegory in the protagonists name is used to represent him as all human kind. One can assume that the author’s use of allegory in the names of the friends who do not accompany Everyman are representations for the 7 sins. The thought of the play is a consistent message intended for the audience. The plot then leads Everyman to visit his friends in a plea for companionship on his journey to death. The author’s use of character development demonstrates how only a man’s virtuous actions remain with him when facing judgement. When a companion is discovered, it is the friend Everyman neglected most, Good Deeds. In order to strengthen Good Deeds Everyman must go to confession. Through each character the speaker is expressing how even family will not stand by a person going through a hardship; it is only a man’s kindness and generosity that will follow him to death. The plot leads the reader through each obstacle that Everyman faces, demonstrating how only good deeds will stay loyal until the end. Everyman utilizes character and plot to portray the message: when man is faced with a journey to the afterlife he must ensure his life was filled with good deeds, for man is only judged on good deeds when facing judgement day.…
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He has never married and has never gone to bed with a woman he didn’t pay. He had kept record of all his women and at 50 he had 513 women in his journal. He contacts was Rosa Cabarcas, who runs an illicit house. This is the beginning of a new life at an age when most mortals have already died. Rosa fixes for him a girl of fourteen, who goes for sewing buttons the whole day so the man has to go only after ten in the night. He goes and finds the girl blessedly sleeping without a stitch of cloth on her. Early morning he notices that in the middle of the night some time the girl had got up. He leaves her some money and leaves. There is another night and he has still not touched the girl whom he begins to call Delgadina. Even Rosa is surprised how he could do this to the girl next time when he meets the girl, she has cough and fever. He has now started giving her gifts so that she could make herself more presentable. The two begin to know each other, in their own strange way. One night when the man is visiting Delgadina, suddenly there is a commotion. An important man is murdered in the adjacent room and all, including Rosa have to flee. The illicit house is closed down by the police. The 90-year old man tries hard to find and meet the girl but does not succeed. He is miserable.…
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The author reflects that this man was cremated and disappeared all too easily from this physical existence. He alludes to the transience of life and the pain those left behind experience in a patriarch's absence. The author muses about the physical remnants left behind from the father's cremation: eye coins in the ashes and…
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Magnificence is basically a story about a bus conductor who has taken interest in a little girl of seven. The little girl and her brother, who is of eight years old, find delight in spending time with the man because he gives them pencils – a ‘rage,’ or something that is popular; a fad – besides spending time when they would do their homework. But shortly afterwards, the action of the bus conductor, Vicente shows that he has taken a different kind of interest towards the little girl. When he gave the siblings pencils, there was a bonus for the girl, a jumbo one, because he said that “she was very bright, and deserved more…” When Vicente, the man, asked for a reward in return, the children kiss him but he jokingly said to Oscar, the girl’s older brother, that boys don’t kiss boys. When the girl kissed the bus conductor on the cheek, she embraced him, and he did so as well. His hold tightened which gave the girl an uneasy feeling. The third time the man showed his desire towards the little girl was when he asked the brother to fetch him a glass of water. As the two of them were left alone, he took her to his lap. Knowing that she was tall and quite heavy for her age, the girl asked him to put her down. The man did not say anything, except when she looked at him, his face was sweaty, and there was a strange look in his eyes. He told her to turn around and do her homework. When she suddenly felt very uncomfortable, she jumped from Vicente’s lap. Just in time, the little boy arrived with his mother who was holding a glass of zarzaparilla. Unknowingly, she had been watching in the shadows of the room. The mother asked Vicente to stay where he was. She then bade her son to do his homework, and her daughter to go upstairs to her room. She was about to reprimand Vicente, who had her daughter’s papers of homework held onto his stomach, but saw that Oscar was still in the room. She asked him also to go to his room before telling…
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“He has the face of someone called Esteban…” – this might be the most promising line of Gabriel Garcia Marquez’s short story, The Handsomest Drowned Man in the World, which by the way, I was really expecting to be blurted out in a heartfelt and serious manner, and somewhat in a way that chills will slowly rise up upon my body. But we can’t have all what we wish for, do we? Sometimes, what we know is limited to that idea alone, never breaking out of our comfort zones and exploring other horizons of what a certain knowledge and information, principle, and even a piece of art could offer us.…
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