The Interesting Narrative of the Life of Olaudah Equiano: Religious Roles in the Narrative
The Interesting Narrative of the Life of Olaudah Equiano: Religious Roles in the Narrative
The narrative of Olaudah Equiano is truly a magnificent one. Not only does the reader get to see the world through Equiano's own personal experiences, we get to read a major autobiography that combined the form of a slave narrative with that of a spiritual conversion autobiography. Religion may be viewed as at the heart of the matter in Equiano's long, remarkable journey. Through Equiano's own experiences, the reader uncovers just how massive a role religion played in the part of his Narrative and in that of his own life. More specifically, we learn of how his religious conversion meant a type of freedom as momentous as his own independence from slavery. As one reads his tale, one learns just how dedicated he his to that of his Christian faith; from his constant narration of the scriptures to the way that Equiano feels a growing sense of empowerment from the biblical texts for the oppressed community. However, at the same time, one may question Equiano's own Christian piety. Did Equiano really seek to tell the tale of his soul's spiritual journey, did he really believe God would set him free or was he simply using religion as a ways of manipulating British and American readers to accept him as a credible narrator. Regardless of which of these facts is true, religion is quite possibly the defining feature of his life story.
Equiano's own exposure of Christianity first began when he was no older than 12 years old and was first arriving in England, where he experienced the sight of snow for the first time. Curious to what it was, he asked a mate and soon found out that " a great man in the heavens, Called God " [Olaudah Equiano, The Interesting Narrative of the Life of Olaudah Equiano, ed. Angelo Costanzo (Orchard Park, NY: Broadview Literary Texts, 2004), 82.] created it. This caused in him a feeling in which he had never felt before, and thus inspired him to new
The narrative of Olaudah Equiano is truly a magnificent one. Not only does the reader get to see the world through Equiano's own personal experiences, we get to read a major autobiography that combined the form of a slave narrative with that of a spiritual conversion autobiography. Religion may be viewed as at the heart of the matter in Equiano's long, remarkable journey. Through Equiano's own experiences, the reader uncovers just how massive a role religion played in the part of his Narrative and in that of his own life. More specifically, we learn of how his religious conversion meant a type of freedom as momentous as his own independence from slavery. As one reads his tale, one learns just how dedicated he his to that of his Christian faith; from his constant narration of the scriptures to the way that Equiano feels a growing sense of empowerment from the biblical texts for the oppressed community. However, at the same time, one may question Equiano's own Christian piety. Did Equiano really seek to tell the tale of his soul's spiritual journey, did he really believe God would set him free or was he simply using religion as a ways of manipulating British and American readers to accept him as a credible narrator. Regardless of which of these facts is true, religion is quite possibly the defining feature of his life story.
Equiano's own exposure of Christianity first began when he was no older than 12 years old and was first arriving in England, where he experienced the sight of snow for the first time. Curious to what it was, he asked a mate and soon found out that " a great man in the heavens, Called God " [Olaudah Equiano, The Interesting Narrative of the Life of Olaudah Equiano, ed. Angelo Costanzo (Orchard Park, NY: Broadview Literary Texts, 2004), 82.] created it. This caused in him a feeling in which he had never felt before, and thus inspired him to new
Bibliography: Equiano, Olaudah. The Interesting Narrative of the Life of Olaudah Equiano. Edited by Angelo Costanzo. Orchard Park, NY: Broadway Literary Texts, 2004.