The poem "Landscape with the Fall of Icarus", by William Carlos Williams, portrays in writing the painting by Brueghel. The piece depicts the Greek myth of the tragedy of Icarus, a boy who flew too close to the sun with wax wings and fell into the sea to his death. The poem has no set rhyme scheme or meter, an example of one of Williams' many free verse poems. After reading the poem many times, I started sensing a feeling of insignificance; that the tragic event of Icarus' death was "quite unnoticed".
One factor contributing to this feeling was the stanza organization. Each stanza was very short, usually containing a sentence or less, and included many enjambments, "a farmer was ploughing/ his field/ the whole pageantry", "of the year was/ awake tingling/ near". The considerably short length of each stanza creates a feeling of unimportance; with no attempt at describing the scene in-depth, Williams just gives the reader a superficial view of the scene. There are also some stanzas that explicitly state the insignificance of Icarus' fall, "the edge of the sea/ concerned/ with itself" and "insignificantly/ off the coast/ there was/ a splash quite unnoticed/ this was/ Icarus drowning". The first of these stanzas relates back to the painting, where one can see Icarus drowning at the edge of the sea. As the stanza reads, "the edge of the sea/ concerned/ with itself" the idea that not even the ocean cares about Icarus drowning fills the reader's mind. In the painting, the part that has Icarus drowning is extremely small and tucked away into the corner, away from the eye of the viewer. Williams accentuates this unimportance by writing, "insignificantly/ off the coast/ there was/ a splash quite unnoticed/ this was/ Icarus drowning". When viewing the painting, Williams must have sensed the slightness of the accident and correctly portrays this in a variety of short and simple stanzas.
While I was reading the poem for a third time I looked at the title and noticed the...
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