Auteurs Theory and Stanley Kubrick

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Introduction
In this essay there will be attempted to establish Stanley Kubrick as one of the world’s best directors by using the auteur theory witch elevates a director as not just a member of the film crew but as the artist bringing his personal style and personality to a film. Kubrick’s work will be analysed in accordance with the auteur theory in other to establish that he is one of the best directors in the industry. The auteur theory makes it possible for a film to be more than a collaborative industrial project but makes it possible for a film to be identified by its director who is seen by the auteur theory as its ultimate creator (turner 2009:53). According to Kael (1963:12) There are three premises to the auteur theory the first is that a director must have technical competence the second that the director must have a distinguishable personality that he or she brings to her films and thirdly that interior meaning is created in the film by tension between the directors personality and the material he is directing. In order of a director to be perceived as an auteur he must stay true to the principles that covens the theory.
Technical ability of Stanley Kubrick.
Stanley Kubrick is well known for his technical prowess, Hans Feldmann (1976:12) states that technically Kubrick should be considered as one of the top 3 or 4 directors in America. Kubrick is well known for using Slow continues shots. In 2001: a Space Odyssey Kubrick shows the hole process of HAL disconnection. Kubrick does not use Time compression or montage but shows the whole process the scene goes against the fast paste norm of Hollywood movies but Kubrick still manages to keep his audience attention. Kubrick also uses unusual shots in his films, In The Shining Kubrick places the camera directly below Jack Nicolson, filming him form an almost vertical angel. The Shot disorientates the audience and connects to the frightening mood of the scene.
Kubrick is also well known for making

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