Documentary Film Techniques Ambient Sound This is sound that is present‚ or available‚ in the context of the scene being filmed. It may consist of the background sounds such as traffic‚ birds‚ wind‚ children playing‚ machines working etc. Archival footage Use of direct cinema or other documentary footage or photographs from the past in order to review events that took place in the past or provide some perspective on events from the past. Bird’s eye view A shot in which the camera photographs a
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Mary and max opening scene analysis The Adam Elliot’s claymation Mary and Max opens with credits on a black screen with sad contemplative orchestral music. Then the screen if filled with darkness‚ followed by climbing upbeat hopeful music illuminating a sepia coloured ordinary Australian suburban landscape. Many typical Australian domestic icons portray this: like the Australian rules Sherin branded Football on the roof‚ the thongs protruding from a rubbish bin on Lamington street and a barbeque
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job at utilizing different framing techniques in his movie The Searchers. Ford used different framing techniques depending on the mood and location of the particular shot. During the opening scene of the movie‚ Ethan rides across the dessert with mountains in the background. Ford uses natural surroundings extensively during the movie. During transitional scenes when the actors are moving from one place to another‚ the shot is usually from a distance. This technique shows the overall grandeur of the
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(2008 film) Hunger Film poster Directed by Steve McQueen Produced by Laura Hastings-Smith Robin Gutch Written by Enda Walsh Steve McQueen Starring Michael Fassbender Liam Cunningham Music by David Holmes Cinematography Sean Bobbitt Editing by Joe Walker Studio Film4 Channel 4 Northern Ireland Screen Broadcasting Commission of Ireland Wales Creative IP Fund Blast! Films Distributed by Icon Film Distribution Release date(s) March 15‚ 2008 (2008-03-15) (Cannes Film Festival)
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He preferred shooting on location instead of using the film studios due to the natural light obtained on location. He also had certain tricks that he would use with his camera techniques. One he would use to add intensity to a scene would be called a push pull. The Push pull would make the foreground steady while the background moves closer. This would cause the audience to pay attention to certain
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screenwriting process following a screening of The Dark Knight. Brubaker had first asked “How far do you outline stuff before you actually start scripting?” Nolan had replied with‚ “I don’t really outline.” When Nolan was asked what he did instead
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Analyses of the opening scene of ‘Casino Royale’ (Martin Campbell‚ 2006) The opening scene from Casino Royale is filmed entirely in black and white which creates a sensory reaction in the audience as it makes the audience feel as though this scene may be an elongated flashback or a memory. The opening shot fades in too show a low angle shot of a building‚ that is made too look very big due to the low angle shot. The building looks very modern and pristine therefore the audience assumes
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and it was anAmerican comedy-drama film that won multiple awards and nominations‚ includingawards won from the 67 th Academy Awards‚ 1995 Golden Globe Awards‚ 1995 MTVMovie Awards‚ 1995 Peoples Choice Awards‚ 2005 American Film Institute Awards andvarious other ones. It was an adaption of a novel of the same name‚ by Winston Groom.Robert Zemeckis was the director of the movie‚ and he made great decisions about thecamera techniques to be used in each scene. In 1996‚ a restaurant with the nameBubba
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The Lights of Casablanca -An indepth look into the lighting techniques employed and the context in which they were used‚ caught between film noir and the classic Hollywood style. Casablanca (1942)‚ directed by Michael Curtiz‚ is a perennial favorite‚ depicting unique Humphrey Bogart and Ingrid Bergman characters caught in situations out of their control. While the film’s story is engaging on many levels‚ Curtiz’s use of lighting is an integral tool he uses to help tell of the story. Previously
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chose time accurate hairstyles‚ costumes‚ vehicles‚ firearms‚ and colors of the outfits worn. Fury shows multiple different battles in multiple views and camera angles to keep the audience drawn in. The guise used in Fury are very precise consubstantial in a lot of ways. They are very close to what someone in the army would have worn during World War II. They also do a very good job at showing ranks and classes of the soldiers. The ranks being important on many levels‚ one being the amount of recognition
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