PROFESSOR ANDREA DAVIS DEPARTMENT OF HUMANITIES Course: AP/HUMA 1300 9.0 Course Webpage: http://moodle.yorku.ca/ Term: Fall/Winter 2014-2015 Prerequisite / Co-requisite: none Course Director Dr. Andrea Davis (416) 736-2100 x 55158 821 Kaneff Tower aadavis@yorku.ca webpage: http://www.yorku.ca/laps/huma/faculty.html Course Consultation hours:
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A tragedy is the story of an individual whose downfall is brought about by specific defects in his character‚ tragic flaws. The play‚ Othello‚ is a twisted tale of deceit and revenge. Iago creates an alternate world filled with lies‚ that unfortunately consumes the trusting and naive Othello. Othello’s downfall comes about due to a combination of the influence of Iago and the fatal character flaws of the otherwise virtuous Othello. Iago absolutely hates Othello. He is angry with Othello for promoting
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Othello’s feelings of guilt arise from his skewed perception of Iago’s character. Throughout Othello‚ Iago gives off this perception to all that he is a honest and virtuous man‚ when in fact he is manipulative and malicious. This false perception even deceives Othello into thinking he is solely to blame for Desdemona’s death‚ when in fact Iago falsely proclaims her of infidelity to Othello. This deception makes Othello abandon reason and language‚ which allows his inner chaos to take over. For example
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does he fail to act until too late? Is his inaction due to a tragic flaw? Until relatively recently‚ critics tended to assume that the causes of tragic misfortune resided in some moral defect of the protagonist. Aristotle’s term hamartia (derived from “fault‚” “failure‚” guilt” but literally meaning to “miss the mark”) was often translated as “tragic flaw‚” leading critics to seek the chink in the hero’s armour (such as pride or ambition) which leads to his or her downfall. Although the precise
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Ashley Abbondandelo 12/11/12 ENG 102 Othello Part of what makes Othello such a prevailing play through history is that the characters and situations are universal. Each character is relatable on the fact that every major character is a classic epitome. Iago‚ a classic villain. A scoundrel with an astonishing ability to manipulate and cause turmoil‚ and Othello a classic tragic hero who’s own jealousy and deep internalized insecurity of the prejudices surrounding him‚ helps right into
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The Tragic Figure of Antigone When people recall tragedies‚ they often think Shakespearean. These tragedies were usually named after their tragic protagonists (e.g.‚ Romeo and Juliet‚ Macbeth‚ Julius Caesar‚ Hamlet‚ Othello). However‚ many tragic characters did not have an eponymous play. For example‚ in Antigone‚ a woman loses her life trying to honor her fallen brother and inadvertently causes Creon‚ the king‚ to lose his wife and daughter. Since we have two important characters’ detriments‚
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November 2012 What is a tragedy? It is an event causing great suffering‚ destruction‚ and distress‚ such as a serious accident‚ crime‚ or natural catastrophe. Aristotle wrote down explained what is the "tragic hero" and gave the qualifications and details to seek for when trying to identify one. Arthur Miller explains in his essay‚ Tragedy and the Common Man‚ what tragedy and the common have does and does not have in common. Aristotle thoroughly explains what is a tragic hero. There are
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In Seamus Heaney ’s translation‚ pride is depicted as an unfortunate‚ often fatal‚ flaw which will eventually lead to tragedy or the untimely demise of the character cursed with this trait. Many of the main characters display this affliction‚ several examples being Hrothgar‚ whose pride leads to the deaths of his people‚ Beowulf‚ whose pride leads to his demise‚ and even Wiglaf‚ whose pride foreshadows tragedy in his future. Even though pride may seem a useful asset at times‚ it will almost never remain
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the style of a classic shakespearian tragedy with a tragic hero who inadvertently causes his own downfall through his own actions. Chinua Achebe crafts a traditional Shakespearian tragedy that differs from the culture of Shakespeare’s tragedies. Achebe represents Okonkwo as the tragic hero who is blinded by his pride. Okonkwo follows the path of the traditional Shakespearian hero and is undone by his own blindness. Achebe starts the path of a Shakespearian tragedy by introducing a person of high esteem
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To what extent can Othello be considered a ‘tragic hero’? The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle‚ a tragic protagonist is a nobleman or person from high status‚ who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high
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