What impression does Steinbeck give of life in the bunkhouse at the beginning of the novel? Steinbeck describes the bunk house as a plain‚ dark‚ hostile place with “small‚ square windows”‚ this creates the impression of a dark‚ lonely environment. The workers don’t have proper chairs to sit on‚ using “grouped boxes”‚ this shows that there is no comfort within the bunkhouse. The workers belongings are kept in an “apple box” which shows little luxury and comfort. This image is the opposite to the
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What Impression Does the Character of Creon create in Antigone? At the start of the play Creon is introduced by the chorus who represent the old Theban citizens who say‚ “Creon‚ the new man of the day” which introduces him in a positive way towards the audience as it gives the audience a strong emphasis on his character as the words “new” and “Man” are both been placed in a positive aspect. After the Chorus introduces Creon‚ he begins a speech which shows him a strong and respectful leader; he has
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find themselves caught between the strife. However this is not the only key relationship which Shakespeare shows us throughout the play; a view on the relationship between men and women can also be looked at during the dialogue between Romeo and his cousin in Act One Scene One. Romeo’s initial love for Rosaline is a situation that leads to the audience being able to infer much about how Shakespeare wishes to portray the relationship between men and women. The situation is one that shows the woman
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Shakespeare: Richard III Shakespeare successfully portrays (his purpose in relation to the values and expectations of the Elizabethan context) through stage play techniques such as‚ use of soliloquy‚ dramatic irony‚ and humour. He also uses language techniques such as visual imagery and sound imagery throughout his play to explore the villainous role and character of Richard which leads to the development of the key themes in his play‚ Richard III. The first soliloquy informs the audience of Richard’s
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Importance of Plebeians In the play Julius Caesar‚ the common people might as well be the most important people to the outcome of the play. Basically whoever has the plebeians support will win the fight‚ they just go for what is appealing to them. They change their minds all time in the play. They are just ignorant people who want “bread and circuses”. The plebeians first show their fickleness in the very first scene of the play when they are speaking of Caesar’s triumph over Pompey. They were
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“Othello”is one of the great tragedy themed plays by William Shakespeare. In the observation of human behavior‚ Shakespeare noticed that although people respect conventional values much of the time‚ they sometimes learn to develop techniques that enable them to counteract the effectiveness of the values and laws and drift towards illegitimate behavior. In Act iii‚ Scene iii is where Shakespeare shows the turning point of Othello through the implementation of Iago’s plot. Othello’s strong demeanour
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Richard III - Irony of Shakespeare Shakespeare is known for his wit and brilliance in writing. One of his tactics is his use of irony. There are three types of irony: verbal‚ dramatic and situational. Verbal irony is a figure of speech in which the speaker says the opposite of what he or she intends to say. Dramatic irony is the contrast between what a character says or thinks and what the reader knows to be true. Situational irony is the discrepancy between appearance and reality or between
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The Patricians and Plebeians were inhabitants of the Roman state‚ yet each enjoyed completely different privileges. The Patricians descended from the old Roman families‚ who were the original inhabitants of Rome and were therefore superior in terms of the authority they possessed and the power they wielded. The Plebeians on the other hand were Roman subjects. People who were not members of the old Roman families‚ and therefore had no say in governmental affairs. The Plebeians had come to inhabit
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In The Tragedy of Hamlet‚ Prince of Denmark Shakespeare uses personification‚ allusion‚ and a rhetorical question to advocate that the climatic moment of Act III is when King Claudius admits to the murder of King Hamlet because‚ by definition‚ it is the act that turns the action of the scene around‚ leading toward an inevitable conclusion. Shakespeare uses personification when King Claudius says that “[his] offense is rank‚ it smells to heaven” (line 36). Claudius’ guilt of killing his very own brother
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Impressions of Hobson in act 1 In act one of Hobson’s choice we get a very negative impression on Hobson. When we first see Hobson he is hung-over over from the night before‚ as he had a masons meeting we see this from the conversation with Maggie and Vicky who are working while their father sleeps of his hangover they say “Has he had breakfast yet‚ Maggie? Breakfast! With a Masons’ meeting last night!” so straight away we see him a negative light and we see that this is a regular thing as the
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