Stagecoach: The Revolutionary Western John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939‚ the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography‚ John Ford displays
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following essay I intend to discuss in detail the characteristic features of the classical Hollywood narrative style of film making. The narrative structure of this style and its known traits will be included as well the well known genres of the Western and film noir as examples of how it is utilized. The use of iconography as a means whereby visual motifs and style in films can be categorized and analyzed will additionally be included. The gender representation‚ in particular the representation
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films in general. It has opened my eyes and it let me see the creativity and the kind of quality that Asian Cinema has to offer. I used to think that Asian Film was corny and boring. Also‚ I used to think that it was just trying hard to follow its western counterparts. I was wrong. Asian film has its own identity and is unique in its own fascinating way. In Asian film‚ or just in Asian countries in general‚ family is a big influence and people are known for their strong sense of culture. I noticed
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Grit .Besides many irregularities with the classic Western films‚ True Grit can nearly be considered a classic Western. Like Stagecoach‚ the film has clearly defined roles of moral and immoral‚ and in the end‚ like in all classic Western’s‚ the bad guy gets it and the good guy’s ride off into the sunset. The leading female role makes it more of a revisionist. In True Grit I believe that it has a little of both a classic Western and a Revisionist Western. True Grit includes many of these classic ideas
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There have been many genres of film that are included in American film history; one of which is the Western. In the mid 1900’s Western films were at their peak and Saturday afternoons would be spent watching cowboys and Indians battle until the end while watching comfortably from a movie theatre. Knowing this‚ it’s not hard to understand why film makers later on would base plots and characters off of these mystifying films. The Searchers‚ made in 1956 by John Ford‚ was a movie that followed the journey
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Survey of Movie Background and Objectives: With the developing of society ‚ movie has been a kind of indispensable entertainment for human beings ‚ in order to catch up with the society ‚ movie also is developing very fast now ‚especially the western movies ‚ the Hollywood . So a survey has been conducted and we wrote a report on the basis of the report about: a) Search the degree of they loving movie. b) Find out what attract people to go to see a movie. c) Collect the advices
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describes the physical characteristics of a cowboy to be “the lanky‚ tall Aryan”‚ this fits the description we get of John Grady. Hobsbawn states that “The new cowboy tradition made its way into the wider world by two routes: the western movie and much underrated western novel or sub-novel” and that the cowboy itself can be divided into two models: “the romantic‚ strong‚ shy‚ silent man of action of exemplified by WS Hart‚ Gary Cooper and John Wayne‚ and the cowboy entertainer of the Buffalo Bill
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arrogance and also‚ the sole reasons of his prejudice and “misguide zeal” that lead to his downfall. Additionally‚ Obi and his wife are greatly influenced by the western beliefs; this can be shown from their plan to make the school compound into “a place of beauty” by accommodating the compound with flowers and hedges that symbolize western ideas. The reverse of fate in the climax‚ a forceful attempt of closing the Dead Man’s Path‚ is made by Obi by blocking it with “heavy sticks”‚ and strengthened
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The Western genre is often dismissed as predictable‚ shallow and transient; however‚ this is not the case in these two Western films known as “High Noon” and “Brokeback Mountain”. Both Brokeback Mountain and High Noon possess the theme of “individual versus society”. In both movies the main characters have different challenges that they need to face which goes against the ways of society. High Noon explores themes such as good versus evil‚ indoor versus outdoor‚ courage and honour‚ love and
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"El Topo" (The Mole; 鼹鼠) (1970) (ACID WESTERN / SURREALISM / ART-HOUSE) "El Topo" (English title: "The Mole"‚ Chinese title: "鼹鼠") is a very weird movie which can be described as mix of acid western and surreal art-house feature. It was directed by highly controversial Chilean director Alejandro Jodorowsky and shot in Mexico (where Jodorowsky lived many years). As I said this a truly ambitious and difficult to understand film‚ full of multiple allegories‚ religious symbolism and far-east philosophy
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