Andantino‚ Con moto and because it was a quintet‚ there were five musicians. There were two violins‚ played by Gregory Maytan and Oleg Bezuglov. There was one viola and one cello‚ played respectively by Paul Swantek and Pablo Mahave-Veglia. The clarinet was played by Arthur Campbell. Allegro‚ as the first movement is named‚ means to have a quick paced tempo. This movement starts with the first and second violins playing followed by the cello and viola‚ then finally the clarinet comes in over the rest
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inconsiderately dies and is buried out of town is another loss. Yakov keeps an account book of his losses‚ even calculating the interest he might have received on his lost opportunities. At night he arises from his sleepless bed and seeks relief by playing his violin. One morning Martha feels ill but carries on with her chores while her husband plays his fiddle and gloomily calculates ever new and more distressing imaginary losses. That night the wife cries out that she is going to die. Her feverish face gives
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self-change is explored with-in another of Harwoods poems “Glass Jar” where we are shown change brought on by a highly traumatic experience. This same idea is further explored with-in Mumford and sons song “Below My Feet” and Ruth Ostrow’s story “The Violin” as we see the death of someone close acting as a powerful catalyst of self-change. Through the use of a variety of different techniques and structures with-in these 4 pieces we are represented with the main idea that change is inevitable. With-in
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Fire Pink Trio The Fire Pink Trio introduced its 2017 concept on a Thursday evening‚ April 20‚2017 at the University of Delaware. The Fire Pink Trio consisted of three females that played three different instrument. Debra Reuter-Pivetta played the flute‚ Sheila Browne played the viola and Jacquelyn Bartlett who I believe was the best out of all three played the harp. Named after the beautiful North American wildflower that covers the mountains in late Spring‚ Fire Pinks resemble the strokes of a
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the concert will be a performance of Symphonie fantastique by Berlioz. It tells a story of a beautiful lady whom Berlioz is in infatuated with. The piece begins by introducing the listener to the vulnerable side of the love-struck artist‚ with the violin and the flutes flirting virtuously with a charming melody. The second movement then invites us to a ball. In the third movement‚ Berlioz‚ opens up and confronts his childhood memories and lays them bare for the listeners to digress. Galloping through
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out just before his wedding‚ that his girls has been infidelity. He goes crazy and kills himself. The first suite used a full symphony orchestra but without the chorus. The set opens with a strong‚ lively theme‚ which had Christmas theme played by violins. Afterwards‚ it’s continually by various sections. After reaching a high point‚ in this theme it fades away. The movements‚ resembles a minuet‚ while the thirds more emotional and low-key. The last movement features a preparing bell-tone pattern on
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guitar before. However‚ when I was a child‚ I was able to remember simple melodies from TV programs. Then‚ I could repeat these melodies on my small keyboard. So my father decided to let me learn violin. Although I spent more than ten years learning violin‚ I only played by reading sheet music because my violin teacher only taught me classical music. I was not able to play and to understand “real music” after ten years of learning. After I graduated from high school‚ a friend of mine suggested that
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shot camera view of the feather floating through the air. The camera also does some close-up of the feather. Natural lighting was used for these scenes. At the same time you hear the piano playing a soft and simple melody along with the harp and violin. The first few notes are A-C SHARP‚ A E D‚ A E‚ A E E‚ ect. This tone with diatonic harmony and light orchestra in a child-like tone. The music reminds of a magical happy sound. This is a non-diegetic music. It starts
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The instruments of the standard Filipino rondalla have similarities in structure and are played with a plectrum made out of turtle shell. Except for the guitar and bass guitar(double bass)‚ all are 14-stringed consisting of six(6) sets of strings tuned in the intervals of fourths‚ each set consisting of 1‚ 2 or 3 string/s. The purpose of the doubling or tripling of strings is to produce better sound and increase tone volume. The main parts of the stringed instruments of the rondalla are basically
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split into: exposition‚ expansion and recapitulation. • Progress into what these three stages are. (Richards 2008) The voices of the pieces and deviation from the tradition of string quartets. • Dominant voice of the pieces i.e. violin • Refer back to classical string quartets and how they work with one another • Quartet no.3 is an example of the dissent from traditional quartets • Each instrument is balanced equally and takes the melody. (Richards‚ 2008)
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