FrontCover-SP11:Layout 1 3/31/11 4:02 PM Page 1 ILO-001-TOC-SP11:Layout 1 11/3/11 7:25 PM Page 1 on-line digest Vol. 90‚ No. 1 • Spring 2011 IVY LEAF MAGAZINE: OFFICIAL ORGAN OF ALPHA KAPPA ALPHA SORORITY‚ INC. special features 5 Carolyn House Stewart 2011 National Founders’ Day: Reflections & Remembrance of Timeless Service EDITORIAL DIRECTOR Deborah L. Dangerfield EXECUTIVE EDITOR Connie Lynne Cochran EDITOR-IN-CHIEF Ivy Leaf (ISSN 0021-3276) is published quarterly
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U64003 FILM HISTORY SHORTLIST OF TOPICS FOR IN-CLASS TEST 2 (scheduled in week 12) 1. Choose one Hollywood major studio and write a brief account of its history (e.g. typical products‚ strategies‚ organization‚ people‚ films‚ crises‚ etc.) from the “classical era” of the studio system to the advent of conglomeration. MGM: Metro-Goldwyn-Mayer - part of Loew’s enterprise. Loew’s owned a movie studio‚ a network of international distribution and a theatre chain (centred in NY). By 1924 he
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Non-sequential Narrative The God of Small Things is not written in a sequential narrative style in which events unfold chronologically. Instead‚ the novel is a patchwork of flashbacks and lengthy sidetracks that weave together to tell the story of the Ipe family. The main events of the novel are traced back through the complex history of their causes‚ and memories are revealed as they relate to each other thematically and as they might appear in Rahel’s mind. Although the narrative voice is omniscient
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A. Living things versus Non-living things Most living things can be distinguished readily from non-living by the following characteristics: 1. Form and size. Living things have characteristic form and size within certain limits most of them are also arranged as definite individuals. While in non-living things‚ materials vary widely. 2. Organization. Living things are made up of cells which are assembled into interrelated system for performing the life processes. They rearrange and combine
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"The things they carried" In "the things they carried" Tim O’Brien defines a fine line between fiction and non-fiction in the form of story telling and the memories he has accumulated from his participation in the Vietnam war the way they "seemed" rather than "what happened" because that’s how you tell "a true war story" and that’s how the book effectively engages the reader throughout the whole book because nothing is ordinary‚ not even the way the book is put together‚ you just can’t anticipate
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The Things They Carried Staying alive through the war wasn’t the only struggle that the soldiers of the Vietnam War faced. In the novel‚ The Things They Carried‚ by Tim O’Brien‚ the damages are illustrated to see the psychological strain. For some soldiers‚ trying to forget the unforgettable for some soldiers was more traumatizing than the war itself: Killing people‚ watching them die; these are all the things that the soldiers have to live with‚ but some just can’t live with it. The mental and
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Shaun Tan’s short film the concept of outsider is celebrated. In ‘The lost Thing’ audience can see an outsider in the sterilized community and through Tan’s use of juxtaposition and narrative voice‚ we discover and follow the lost things voyage to be in the right place‚ belonging. Recall Firstly the use of colour is a vibrant technique used by Shaun Tan to explore the role of the outsider in The Lost Thing. The lost thing has been found in the wrong ‘world’ and is noticeably out of place. This is
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I tried my best to make everything was clear and done for a reason. I felt like the mayor switching side was a little forced but it was the best thing I could come up with. Someone had to save the protagonist from being killed early so I used the mayor. I think it flows well and makes sense. I think the mayor was the toughest character to create because what I had him say and do was important because he could of being lying the hold time for his own good‚ I did not want the reader to think that the
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on the story. In the first and second panel on page 85 in Maus‚ the reader can see the normal layout of a strip‚ but in panels’ three to four‚ things start to get interesting. First of all‚ we see a frame within a frame such that when the reader reads the third panel‚ his eyes will skim over the illustrations on the fourth panel to read the next narrative block. It goes from “I saw them…”‚ and then we look at the illustrations‚ to “They hanged there one full week”. The illustration in the fourth
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Thesis Statement: In “The Things They Carried”‚ Lieutenant Jimmy Cross is torn between being a good leader and his love for Martha‚ thus making him a truly dynamic character. I. No matter how hard Lieutenant Cross tries to be a good leader‚ he cannot stop himself from fantasizing about Martha. a. The hardest thing that the Lieutenant carries is his emotional attachment to Martha. b. Throughout the entire story‚ Lieutenant Jimmy Cross is struggling to stop thinking about Martha
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