Sophocles’ Antigone‚ Creon seems to be the most sensible tragic fault‚ with his pride and power along with going against all laws of the gods lead up to reasons he is the tragic hero. Creon terrorized anyone who had done anything peaceful for Polynices burial. Creon’s says‚ “Polyneices I say‚ is to have no burial: no man is to touch him or say the least prayer for him; he shall on the plain‚ unburied”(I 39-40). After he states this he says anyone who does so will be locked away and punished. Antigone feels
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The chorus‚ in tragic plays of ancient Greece‚ is assumed to have developed out of Greek hymns and drama. It presented experience and also abstract information to help the audience pursue the performance‚ commented on main themes‚ and demonstrate how a model audience might respond to the tragedy as it was presented. Greek choirs also stood for the common public of any specific story. Most of the time they communicated in song form‚ but every now and then the messages were spoken. The chorus also
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THE CHORUS In choosing the classical form of tragedy for his Samson Agonistes‚ Milton decided to work on a distinctively unpopular medium. For‚ classically modelled tragedy had never been popular in England. Even Ben Jonson‚ excused himself for not obeying the Aristotelian rules and not having a proper chorus in his Sejanus. But with his contempt for mere popularity‚ Milton did not feel obliged to modify the form of classical tragedy to suit the purpose of what Jonson called “popular delight”. J
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The voice of the Chorus in Otello Even though he wanted to have an opera with no chorus‚ later on‚ Verdi himself considered this idea ‘crazy’. We would have not missed much of the plot without a chorus‚ but we would have definitely missed much of the artistic colour. There are four main Chorus parts in Otello‚ but there are also a few incidental entries. When writing the opera‚ Verdi had in mind the singers from La Scala‚ in Milan. The Chorus numbered 104 voices – 64 men and 40 women‚ to which
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Antigone By Sophocles; translated by Ian Johnston Dramatis Personae (Fill in relationship information for each character listed.) ANTIGONE: ________________________ ISMENE: ______________________________ CREON: ____________________________ EURYDICE: ___________________________ HAEMON: __________________________ TEIRESIAS: ___________________________ Polynieces: __________________________ Eteocles: ______________________________ Oedipus: Father of Antigone‚ Ismene‚ Polynices
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Role of the Chorus The Chorus is a group of actors that speak‚ sing‚ and dance together. The Chorus is part of a ritual theme in Greek tragedy plays. In each play the Chorus many functions‚ and sometimes can have similar roles as other choruses in other plays. Specifically in the Bacchae‚ a play by Euripides and in Oedipus the King by Sophocles‚ the Chorus were an important part of the play and had different functions. In the Bacchae‚ the Chorus’ was more reserved an not so involved but their main
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The Role of Gender in Antigone and “Genesis” Gender inequality has been a prevalent issue in society through many centuries. Modern arguments about appropriate gender roles often cite traditional texts. Many use Sophocles’ Antigone and the creation myth in “Genesis” to defend or attack gender dominance. Antigone and “Genesis” contain a complicated view of women’s liberation and subordination. Through recognizing the role of gender in Antigone and “Genesis”‚ both authors reveal that even though
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“Hallelujah Chorus” by George F. Handel The Baroque era is a style or period of European music between the years of 1600 and 1750. The term Baroque was derived from a Portuguese word meaning “a pearl of irregular shape.” A well known piece during this period is the “Hallelujah Chorus” written by George F. Handel. This piece includes many elements such as the composer’s life and his accomplishments‚ composition‚ and personal reflection of the listener. A composer is a person who writes music in
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Similar to the Chorus‚ the Nurse is also very compassionate with Medea and depicts the effect of Jason’s actions on her and her children. The wickedness and evilness of Jason is highlighted as his betrayal of Medea resulted in his misery. In the same time‚ they let the audience know of her internal conflict‚ as “this passion of hers is an irresistible flood.” (p. 23). As mentioned by the Chorus‚ Medea’s hate is not only for the broken oath but it is also for her loneliness‚ as they say to her: “a
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important roles of helping form the main characters‚ in the way they think‚ move or change the story. Women have always been subordinate to men all through history‚ but in plays‚ novels‚ short stories‚ etc‚ they have been given large enforcing roles‚ showing the power within women. William Shakespeare and Sophocles use guilt‚ pride‚ and influence to demonstrate the importance of the women’s role to support the main characters in both the plays of Macbeth and Antigone. In Macbeth and Antigone the authors
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