The Chorus in Greek drama was a large group of performers (suggested between 12 and 30) of people who sang or chanted songs and poems‚ and danced during plays. They are homogenized and non-individualized group in Greek drama. Despite the large size‚ they represented a collective consciousness‚ or a single body‚ often wearing masks to render sense of unification and anonymity. In Sophocles’s Oedipus Rex‚ the chorus is composed of senators‚ while in Sophocles’s Electra‚ the chorus is made up of the
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The chorus‚ in tragic plays of ancient Greece‚ is assumed to have developed out of Greek hymns and drama. It presented experience and also abstract information to help the audience pursue the performance‚ commented on main themes‚ and demonstrate how a model audience might respond to the tragedy as it was presented. Greek choirs also stood for the common public of any specific story. Most of the time they communicated in song form‚ but every now and then the messages were spoken. The chorus also
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THE GREEK CHORUS’ SMALL PLACE IN HISTORY The history of the Greek Chorus can be traced back to a relatively small time period; from the original Dithyrambs‚ to Thespis’ small‚ but revolutionizing changes to the system‚ to Aeschylus’ triple entente of tragedies The Oresteia‚ which included the infamous Agamemnon. To truly understand the Greek Chorus‚ and what role it was meant to play when it was created and thereafter altered‚ one has to go back to the beginning of time which in this case happens
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ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol.2.S.1.‚2015 THE ROLE OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through
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History 1 9/13/2011 The role of the Greek Chorus in Agamemnom The role that the Greek chorus played throughout the development of acient Greek theater changed from show to show. Their purposes were to sway audience’s emotions to feel the way the characters felt‚ to fill in the audience of what has happened in the past and give in sight of what will happen in the future‚ and to play the part of the "people" speaking as one being in society. In Agamemnon the Greek chorus’s role is huge‚ consisting
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The Role of the Chorus in Medea An important element in ancient Greek tragedies is the chorus‚ a near constant presence that typically played little to no role in the events that take place in the plays. In Medea‚ this idea stands true. The Chorus in Medea consists of Corinthian women‚ who mostly just lament the horrific things that are happening throughout the play. Euripides‚ the creator of the tragedy‚ seems to use the Chorus as an outside perspective‚ using them to illustrate his themes. The
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Terms 1. Plot: The most important of the six components of the tragedy‚ the plot is the representation of human action. Plots can be simple or complex; Aristotle clearly indicates that complex plots are required for successful tragedies. The plot must be unified‚ clearly displaying a beginning‚ a middle‚ and an end‚ and must be of sufficient length to fully represent the course of actions but not so long that the audience loses attention and interest. 2. Action: Events happening between
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The Chorus influences our response to Medea and her actions in both a positive and negative manner. The Chorus‚ a body of approximately fifteen Corinthian women who associate the audience with the actors‚ is able to persuade and govern us indirectly through sympathy for what has been done to Medea‚ a princess of Colchis and the victim of her husband’s betrayal of love for another woman. The Chorus also lead us to through sympathy for Medea to accept her decision of taking revenge on princess Glauce
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Greek Tragedy The play‚ Antigone‚ by Sophocles‚ is full of unexpected twists and family tensions. Antigone is a Greek tragedy because it fits Aristotle’s definition of an ideal tragedy. One of Aristotle’s five points is‚ to be a tragedy‚ there must be a tragic hero. Creon‚ a character in Antigone‚ best fits the definition of a tragic hero. Creon is an Aristotelean tragic hero because of what others say‚ Creon says‚ and Creon’s actions. Creon fits the first point of Aristotle’s five points
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Doctor Faustus By Christopher Marlowe The Faust legend had its inception during the medieval period in Europe and has since become one of the world’s most famous and oft-handled myths. The story is thought to have its earliest roots in the New Testament story of the magician Simon Magus (Acts 8:9-24). Other references to witchcraft and magic in the Bible have always caused people to look upon the practice of magic as inviting eternal damnation for the soul. When the Renaissance came to northern
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