ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol.2.S.1.‚2015 THE ROLE OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through
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ambiguity. It’s fun‚ and it’s fun because it’s hard.” In other words‚ just like people‚ character’s expressed in stories should be portrayed as inconsistent to make them be more human and realistic instead of just one-dimensional. In the play The Bacchae‚ by Euripides‚ the Dionysus is displayed as absurd in order for the audience to be provoked in a way to question what constitutes justice‚ forcing them to ask themselves whether notions of justice in this world are illogical. By presenting cases
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The Role of the Chorus in Medea An important element in ancient Greek tragedies is the chorus‚ a near constant presence that typically played little to no role in the events that take place in the plays. In Medea‚ this idea stands true. The Chorus in Medea consists of Corinthian women‚ who mostly just lament the horrific things that are happening throughout the play. Euripides‚ the creator of the tragedy‚ seems to use the Chorus as an outside perspective‚ using them to illustrate his themes. The
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The Chorus in Greek drama was a large group of performers (suggested between 12 and 30) of people who sang or chanted songs and poems‚ and danced during plays. They are homogenized and non-individualized group in Greek drama. Despite the large size‚ they represented a collective consciousness‚ or a single body‚ often wearing masks to render sense of unification and anonymity. In Sophocles’s Oedipus Rex‚ the chorus is composed of senators‚ while in Sophocles’s Electra‚ the chorus is made up of the
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The Chorus influences our response to Medea and her actions in both a positive and negative manner. The Chorus‚ a body of approximately fifteen Corinthian women who associate the audience with the actors‚ is able to persuade and govern us indirectly through sympathy for what has been done to Medea‚ a princess of Colchis and the victim of her husband’s betrayal of love for another woman. The Chorus also lead us to through sympathy for Medea to accept her decision of taking revenge on princess Glauce
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To this day scholars offer a number of different interpretations of Euripides’ The Bacchae. This essay will argue the centrality of ‘sophia’ (wisdom) and its opposite ‘amathia’‚ similar to the interpretation offered by Arrowsmith and Dodds: that the central idea of The Bacchae is that wisdom – possession of humility‚ acceptance and self-knowledge‚ encompassed by the Greek word ‘sophia’ – is the greatest and most necessary quality humanity can possess in the face of godly power. In particular this
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Medea and The Bacchae agitate the definitions of Greek tragedy. They both contain the basic devices of a tragedy: a chorus‚ a flaw‚ a catastrophe‚ and an intervention of fate or free will. However‚ they lack the feeling of moral purpose found in the works of Aeschylus or Sophocles. The senselessly violent endings and ambiguous character development in Medea and The Bacchae are purposeful to the overall theme of confusion. In terms of a theatrical spectacle‚ the uncertainty of what is happening on
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The Bacchae is an ancient Greek tragedy‚ written by playwright Euripides in 405 BC. The play displays the six elements of drama described by Aristotle in the Poetics. These elements include plot‚ character‚ diction‚ thought‚ spectacle‚ and song. Though all six elements are important‚three are most evident within The Bacchae‚ including plot‚ character‚ and thought. The plot is the most important part of The Bacchae‚ because it provides readers with a storyline. The plot intrigues readers to continue
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There is a duality of gender in Dionysus; he is a male god but he displays certain feminine traits and there are references to his beauty. The first time Pentheus sees him‚ he comments that his hair is very long; he also says that he does not have a manly figure‚ he could never be a wrestler and that he will cut off Dionysus’ delicate hair. Pentheus is suggesting that Dionysus has a distinctly feminine look and a frail‚ womanly body. The followers he has gathered are all women. There is later irony
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In The Bacchae‚ Euripedes portrays the character of Pentheus as an ignorant‚ stubborn‚ and arrogant ruler. These character flaws accompanied with his foolish decisions set the stage for his tragic downfall. Pentheus’ blatant disregard to all warnings and incidents‚ which prove that Dionysus is truly a god‚ lead him to his own death. In the end‚ his mistakes are unforgiving and his punishment is just. Throughout the play‚ the audience cannot help but feel merciless towards Pentheus. In his opening
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