illuminating.” How has your exploration of the connections between King Richard III and Looking for Richard moved you to a heightened appreciation of each text? William Shakespeare’s‚ King Richard III‚ and Al Pacino’s film‚ Looking for Richard‚ conversely explores key ideas and values portrayed in both texts. The comparison accentuates the deep similarity of ideas and values‚ which drive the two texts. Villainy and power in King Richard III highlights the values of moderation and stability of the
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IAGO: a cold-hearted villain capable of manipulating anyone to get what he wants. William Shakespeare‚ born: 1564 died: 1616‚ is considered one of the greatest writers who has ever lived. He had a unique way of putting things into words. All of his plays‚ sonnets‚ and poems have gotten great recognition. But when Shakespeare wrote Othello he created one of the most controversial villains of all times; Iago. He is best described as disturbing‚ ruthless‚ and amoral. No other character can even
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Iago is one of the main characters in the play Othello. His personality consists of being the personification of the moral behavior. Shakespeare goes a lot deeper than that‚ he gives Iago this colour that makes him more than just a stock character. Iago gains complexity throughout the play through having multiple motives‚ his ability to manipulate others and being generally just unsympathetic. Shakespeare shows us exactly what kind of person Iago is right from the beginning of the play. The reader/spectator
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Richard the III: Shakespeare’s Frankenstein or History’s victim By: Joshua Mastin Shakespeare‚ English 233 Dr. Malkiel Choseed 5/17/12 Joshua Mastin Dr. Malkiel Choseed English 233 May 17‚ 2012 Richard the III: Shakespeare’s Frankenstein or History’s victim We’ve all heard this famous quote before “History is written by the victors” (Winston Churchill). These words are no truer than in Shakespeare’s play Richard III. In Shakespeare’s rendition he has created a character of
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CONCERNING THE USE OF THE SUPERNATURAL IN FURTHERING THE PLOT OF RICHARD III On a technical level‚ Richard III is considered a historical play; it relates the events‚ if dramatized and romanticized‚ following the War of the Roses and the birth of the Tudor dynasty. However‚ Shakespeare’s use of supernatural themes and motifs in furthering the plot is somewhat out of character in its use in such a type of play; usually such themes and motifs form an unconscious backdrop from which the author
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An Evaluation of Robert H. Davis’ Interpretation of Richard III By: Mr. Michael R. McCaffrey This past Sunday‚ on October 20th around three o’clock in the afternoon‚ I had the pleasure to watch a play that was scripted into history centuries ago. Shakespeare left the world astounded during his time; through witty word play and perfected analogies he was eligible to infatuate not only the people of his time‚ but captivate those of more modern times today. These reenactments
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Henry V and Richard III depicted how two very different men rose to power and assumed the throne of England. Henry was an intelligent‚ driven young man who sought to reconstruct the civil war ravaged kingdom after the death of his father. Shakespeare presented Richard as a corrupt‚ sadistic villain who cared nothing for the English people except that they knew and feared his absolute authority. Both men‚ though‚ possessed the same focus and determination‚ which made the comparison and contrast of
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The 1995 film Richard III follows the plot and script of the original play very closely‚ but is quite different in its setting. While the play takes place in the 1400s‚ this film is set in the 1930s. As such‚ many differences in aesthetic are to be assumed. The characters wear modern clothing and technology is up to date: Men wear suits and ties‚ women wear modern dresses; rather than horses people rely on cars‚ trains and planes for transportation; rather than lute players people listen to phonographs;
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In Shakespeare’s play Othello‚ Iago achieves great power through his ability to manipulate others‚ reveals that people have become more trusting of each other. Iago uses his ability to manipulate people in order to get Othello to believe in what he is saying. Since Iago is the character in which Othello trusts the most‚ Iago must convince him that he is in fact worthy and trusting. Using honesty‚ loyalty‚ and Rodrigo’s love for Desdemona Iago is able to manipulate everybody.
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Nicholas French Monday November 5th 2012 Ms. Waddell Othello Essay: Is There Textual Proof of Iago Being a Psychopath The character of Iago in Shakespeare’s “Othello” is fascinating; Shakespeare’s genius has created in Iago a truly evil and in the end despicable man. He has the dubious honour for being a main character‚ an antagonist too‚ in one of Shakespeare’s blood soaked tragedies and actually surviving the experience. A genius villain whose machinations and trickery brought about
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