Martin Scorsese is known to be a famous filmmaker and almost as famous for being a New Yorker. Many of his films are based in New York which are most of the time films that are gritty and about the darker side of urban life where he focuses his vision to the city’s neighborhoods‚ especially Lower Manhattan and Little Italy. Scorsese has a talent of showing precise and sometimes personal representation of the people and the streets of these neighborhoods. Most of his films have this bond to the city
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Bros. Saul Bass opens his own studio‚ named Saul Bass & Associates in 1955. During his 40-year career Bass worked for some of Hollywood’s greatest filmmakers‚ including Alfred Hitchcock‚ Stanley Kubrick‚ Otto Preminger‚ Billy Wilder‚ and Martin Scorsese. Bass also designed some of the most iconic corporate logos in North America‚ including the original AT&T “bell” logo in 1969‚ as well as their later “globe” logo in 1983. He also designed Continental Airlines’ 1968 “jetstream” logo and United Airlines’
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images have their own entities‚ but viewed one after the other‚ their meaning is something greater: the cost of innocence – true goodness –during wartime or conflict. In this analysis‚ I will apply Eisenstein’s definition of montage to the Martin Scorsese film Goodfellas‚ and how Scorsese’s use of montage – the conflict of images – conveys new or ironic meaning‚ and how this use redefines the context in which the conflicting images are viewed. In Goodfellas‚ Karen Hill is occasionally a narrator
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There have been many genres of film that are included in American film history; one of which is the Western. In the mid 1900’s Western films were at their peak and Saturday afternoons would be spent watching cowboys and Indians battle until the end while watching comfortably from a movie theatre. Knowing this‚ it’s not hard to understand why film makers later on would base plots and characters off of these mystifying films. The Searchers‚ made in 1956 by John Ford‚ was a movie that followed the journey
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dual voice narrative between the compulsive Ace Rosthein (played by De Niro) and the psychopathic mobster (played by Pesci). That shows Scorsese’s demonstrative intent of never giving the audience an objective view of what is going on in the film. Scorsese also does a noteworthy job of creating a unique and genuine job of creating the atmosphere of Las Vegas. This is displayed in an aerial shot of the dessert of Vegas in which Ace states‚ " At that time‚ Vegas was a place where millions of suckers
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The film‚ Gangs of New York (2002)‚ directed by Martin Scorsese‚ is loosely based on Herbert Asbury’s work‚ “The Gangs of New York: an informal history of the underworld” (1927). The film tells the story of a fictional character‚ Amsterdam‚ who is trying to avenge his father‚ who was killed in battle by the film’s main antagonist‚ William Cutting‚ also known as Bill the Butcher. The story is set in New York City in the mid-nineteenth century‚ specifically‚ at the infamous Five Points‚ which now makes
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Discuss the techniques that Scorsese uses in order to create and maintain suspense and mystery throughout. During the film ‘Shutter Island’ there is a vast array of different techniques used by Martin Scorsese to give the movie a deeper meaning. Many have been introduced to keep the audience on the edge of their seat. Lighting techniques and sound were used during the movie to give it an atmosphere that would create confusion. The storyline is extremely manipulative of the audience and succeeds
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Casino The film “Casino” was directed by Martin Scorsese in 1995. Scorsese is a very talented director that always finds a creative way to get the point of the film across to the viewers. The main character of Casino is Sam “Ace” Rothstein who is played by Robert De Niro. Some of the other main characters are Ginger who is Ace’s wife and Nicky‚ which is Ace’s childhood friend and formally known as his business partner. In the film Casino‚ Scorsese uses a creative strategy to show two things be Ace’s
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Gangs of New York � PAGE �4� Analysis of _Gangs of New York_ HUM/150: Introduction to Film Studies Workshop 5 Word Count: 2083 Analysis of _Gangs of New York_ In 2002‚ Martin Scorsese teamed up with Miramax Films to direct _Gangs of New York‚_ a film he had dreamed of making since the 1970s. With a $97 million budget‚ the film was a box-office flop‚ grossing only $190 million worldwide. Nevertheless‚ _Gangs of New York_ earned 10 Academy Award nominations‚ and won two Golden Globe Awards for
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honour. Raging Bull is about the only Scorsese film that doesn’t romanticise the chauvinistic gangsters of 1950’s New York; Jake LaMotta isn’t a role model‚ and watching him doesn’t fill you with a sense of admiration or envy – unlike gallant Henry Hill‚ from Goodfellas. Raging Bull slowly blurs the line between the ring and Jake’s home life: first taking his own anger and jealously into the ring‚ then his vicious appetite for violence into his home. Scorsese often parallels the action within the
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