Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali‚ English‚ French and‚ later on‚ Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels‚ the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers‚ written in French‚ were based outside India with non-Indian
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India has always been considered as a mysterious world with wide variety of interesting traditional values that was created all along the history line of India‚ from the big and complex things like philosophy schools of India to the daily’s things like the lamp in Diwali festival. So what has made India the way it is now with the blooming yet mysterious beauty from the richness in its culture? Well‚ here is a saying from the former Minister of India – Sir JAWAHARLAL NEHRU – to show the idea of Indian
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from Sanskrit kavya (Klaus Karttunen‚ Lidia Sudyka‚ Anna Trynkowska) to medieval and modern Hindi poetry (Renata Czekalska‚ Kunwar Narain‚ Danuta Stasik). Analysis of personalities of personages of the Vedic pantheon is juxtaposed with comparative approach to Indian mythology (Rahul Peter Das‚ Paolo Magnone). Examination of different historical and textual layers of Vedic exegesis (Tatiana Y. Elizarenkova‚ Cezary Galewicz‚ Joanna Jurewicz‚ Sven Sellmer) is enriched by reflection on Sanskrit epics
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Abhijñānashākuntala or Abhijñānaśākuntalam (Devanagari: अभिज्ञान शाकुन्तलम्)‚ is a well-known Sanskrit play by Kālidāsa‚ dramatizing the story of Shakuntala told in the epic Mahabharata. It is considered to be the best of Kalidasa’s works. Its date is uncertain‚ but Kalidasa is often placed in the period between the 1st century BCE and 4th century CE. The Sanskrit title means "pertaining to token-recognized-Śakuntalā"‚ so a literal translation could be Of Śakuntalā who is recognized by a token.
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01 Dec. 2013. Richmond‚ Farley P.‚ Darius L. Swann‚ and Phillip B. Zarrilli. Indian Theatre: Traditions of Performance. Honolulu: University of Hawaii‚ 1990. Print. Tarlekar‚ Ganesh Hari. Studies in the Nāṭyaśāstra: With Special Reference to the Sanskrit Drama in Performance. Delhi: Motilal Banarsidass‚ 1991. Print. Vellani‚ Anmol. "India in Performance." Speech. Asia in Transition: Representation and Identity. Japan. 2003. Http://wiki.indianfolklore.org/images/archive/0/0e/20080529084035!India_in_performance
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Indian Shakespeare? Appropriation of Authority in a Sanskrit A Midsummer Night’s Dream David V. Mason University of Wisconsin-Madison Published in New Literary History 34:2 (Fall‚ 2003) David Mason 814C Eagle Heights Madison‚ WI 53705 (608) 238-1342 dvmason@facstaff.wisc.edu Who Is the Indian Shakespeare? 2 “Do you know who is the Indian Shakespeare?” Late in 1994‚ I was on my way from Rishikesh to Mussoorie. In India studying Sanskrit‚ I thought I would visit the nearby hill station over
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intelligence‚ is a false one. There is at least one language‚ Sanskrit‚ which for the duration of almost 1‚000 years was a living spoken language with a considerable literature of its own. Besides works of literary value‚ there was a long philosophical and grammatical tradition that has continued to exist with undiminished vigor until the present century. Among the accomplishments of the grammarians can be reckoned a method for paraphrasing Sanskrit in a manner that is identical not only in essence but in
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1 . Theatre Of India The earliest form of the theatre of India was the Sanskrit theatre. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th In an attempt to re-assert indigenous values and ideas‚ village theatre was encouraged across the subcontinent‚ developing in a large number of regional languages
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brought about by the sense of smell is nearly unlimited and can be quite complex‚ especially if differing and contrasting feelings are elicited by the same smell and perhaps even within the same person. A particular poem‚ “Verse 1126” taken from Sanskrit Poetry From Vidyakara’s “Treasury”‚ emphasizes the lustful emotions and romantic experiences that accompany the south winds as well as the significance of a particular sense object that holds an extremely valuable place in Indian religious culture
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A comparative study of Sindhi and Sanskrit Language Journalism Abstract Journalism in regional languages that are not mainstream have a number of challenges associated with it. While some regional languages like Hindi‚ Bengali‚ Malayalam etc. are flourishing even more than English language journalism
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