In Aeschylus’ tragedies The Persians and Agamemnon‚ the interactions between messengers sent forward by the army and the queens ruling the land in their king’s absence play a vital role in the plot structure of the ’return of the king’. The ’return of the king’ revolves around a chorus‚ anxiously hypothesizing about what could have possibly happened to their king‚ a queen awaiting her son or husband’s return‚ a messenger announcing both the king’s arrival and the outcome of the king’s conquests
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The story of Agamemnon has been told three times throughout our readings‚ twice in the Odyssey and in the play Agamemnon. Each recounting of the tale differs slightly from the last and while the outcome is always the same‚ the characters are portrayed in vastly different lights between the poem and the play. Where the Odyssey portrays Agamemnon as a hero murdered by his lecherous wife Clytemnestra and his cowardly cousin Aegisthus‚ Agamemnon portrays him as cold and arrogant while his wife is a more
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the ancient world‚ and Agamemnon the king of Mycenae. In The Iliad Achilles and Agamemnon are both fuelled by spite and blinded by stubbornness which causes them to suffer the consequences of their own actions. The quarrel between Achilles and Agamemnon is sparked in Book 1 of The Iliad‚ Homer illustrates the detrimental impact their actions have on them
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used as symbolic in representation for evil‚ concealment‚ and blindness. In the opening of Agamemnon‚ the darkness that consumed the scene was used for effect in order to convey indirectly‚ themes of evil‚ concealment‚ and blindness. The theme of evil was clearly supported by the actions of the character. The play was one of murder and revenge‚ both of which are traditionally sinful in nature. Agamemnon is murdered in the play by his wife Clytaemestra‚ who does so in hopes of avenging the death
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In The Agamemnon women are portrayed as strong and powerful. Clytaemestra rules Argos which she calls ’my city’ while her husband Agamemnon is away at Troy‚ and the Chorus of Argive Elders show her ’reverence’. She manages to persuade Agamemnon to ’give way’ and walk on the tapestry she spreads out for him showing she has power over him and in the end her ’strength of heart’ leads to her being able to ’strike’ Agamemnon down and kill him. Cassandra also is shown to be strong‚ but in a different
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In the first six books of the Iliad Agamemnon goes through the rite of passage‚ which evolves his character from a strong‚ centralized‚ authoritative leader to an incompetent selfish individual due to the crucible of beauty‚ the empowerment of Chryseis. The rite of passage of Agamemnon does not operate chronologically but starts with the state of liminality‚ his choice of rejecting ransom from Chryses‚ the separation‚ his diminishment as an extraordinary leader‚ and finally the partial fulfillment
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I think that Hamlet was more tragic in comparison to Agamemnon. The reason being is because in Hamlet Claudius is driven to kill his own brother‚ King Hamlet‚ just so he can marry his own sister-in-law. Hamlet is plotting to kill his own uncle and is speaks of his own mother in a hateful manner e:g Within a month‚ Ere yet the salt of most unrighteous tears Had left the flushing in her gallèd eyes‚ She married. O most wicked speed‚ to post With such dexterity to incestuous sheets! A son
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AGAMEMNON CHARACTERS IN THE PLAY AGAMEMNON‚ son of Atreus and King of Argos and Mycenae; Commander-in-Chief of the Greek armies in the War against Troy. CLYTEMNESTRA‚ daughter of Tyndareus‚ sister of Helen; wife to Agamemnon. AIGISTHOS‚ son of Thyestes‚ cousin and blood-enemy to Agamemnon lover to Clytemnestra. CASSANDRA‚ daughter of Priam‚ King of Troy‚ a prophetess; now slave to Agamemnon. A WATCHMAN. A HERALD. CHORUS of Argive Elders‚ faithful to AGAMEMNON. CHARACTERS MENTIONED IN
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135). Before Agamemnon enters his father’s house and is ultimately murdered‚ he raises his right hand in honor of the gods saying: “the ones who sent me forth have brought me home” (pg. 134). This most accurately portrays Agamemnon’s dilemma; that is‚ he is imprisoned in the middle of two moral obligations. Each of these obligations is absolute but in utter opposition with one another. Agamemnon is an innocent man forced by the gods into making a morally problematic decision. Agamemnon arrives late
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overwhelming‚ as immediate emotions all come together. In the play‚ Agamemnon‚ Agamemnon makes this experience a reality. He has two options and he had to choose one: he either had to sacrifice his daughter‚ Iphigenia and if he didn’t do this‚ all his troops on board would die. In order to save the life of his troops on board‚ “he dared to sacrifice his daughter‚ a first offering to bless the fleet‚ to fight that woman-revenging war” (Agamemnon 225-7). Although Iphigenia pleaded to his father not to harm
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