In contemporary comedy‚ comedians usually use their own identity to produce jokes that either emphasize or challenge stereotypes projected onto them. Sampson McCormick says that “[Disclosing my sexuality on stage] allowed me to finally create material from an authentic point of view‚” (par 1) this emphasizes the fact that by introducing new identities to the realm of comedy‚ the horizon of funny and coverable material increases drastically. If women‚ LGBT community members and other minorities (when
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have dramatically changed? Has stereotyping become less accurate and more common or has the Romantic Comedy genre developed its representations to break female stereotypes? This investigation aims to explore these questions and‚ ultimately‚ to evaluate if the representation of femininity has developed over the last 25 years. Also‚ to find out to what extent the female role within Romantic Comedy has changed. Exploring the representations of female characters by comparing and contrasting the representation
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The Role of Slavery in Roman Comedy The theater of the Roman Empire was very similar to that of the Greek theater. Masks were worn by the actors to amplify their voices and to allow some actors to play two different roles‚ and women were not allowed to have roles in the theater. Roman playwrights such as Plautus and Terence borrowed comedic stories from the Greek theater‚ “Romanizing” them in the process. For instance‚ Terence wrote a play called Heauton Timorumenos or The Self-Tormentor. A
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Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat Author(s): Katherine Ince Source: The Journal of Aesthetics and Art Criticism‚ Vol. 64‚ No. 1‚ Special Issue: Thinking through Cinema: Film as Philosophy (Winter‚ 2006)‚ pp. 157-164 Published by: Wiley on behalf of The American Society for Aesthetics Stable URL: http://www.jstor.org/stable/3700500 . Accessed: 01/11/2013 13:03 Your use of the JSTOR archive indicates your acceptance of the Terms
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Comedy is performance which aims to entertain through humour. Throughout the ages there have been many type of comedy. These have included the genres of stand up comedy‚ situation‚ comedies‚ forms of anime‚ radio‚ slapstick mime as well as cinematic comedy amongst others. Some of these have been more successful than others. Whether funniness has been the sole determinant of success in terms of popularity is debatable. It is commonly believed that the funny factor is indispensable. However‚ this essay
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What is comedy? What determines what is funny to a particular society? Comedy is hard to define and differs from culture to culture. Through out time societies have developed many different forms of comedy ranging from theater and poetry to cartoons and sitcoms. This paper will compare and contrast classical Greek comedy to that of medieval times particularly Aristophanes’s The Clouds and Ysengrimus respectively. These two comedies were composed in completely different time periods (about 500
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In the article "The Argument of Comedy‚” Northrop Frye identifies two forms of ancient Greek comedy: Old Comedy‚ as in the plays of Aristophanes‚ and New Comedy‚ known primarily from the plays of Menander. Old Comedy‚ as Frye points out‚ is so out of date that when we speak of comedy today‚ we are referring to New Comedy. Fry argues that Shakespeare’s comedies are neither Old nor New Comedy‚ but have elements of both. Frye opines that New Comedy mainly comes from what he describes as a comic Oedipus
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structure helps project the tone of the movie. The generalization of movies usually commences passively‚ and gradually builds into a climactic scene. Then‚ it dies down to its peaceful way once more‚ but usually not in a horror or comedy. Throughout the history of horror and comedy movies‚ the plots usually ended on that climactic scene and had most of the movie be the foundation for that climax. As time went on‚ plot structures of the two genres started to develop and one could see that they help convey
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believed that tragedy served a higher purpose than comedy because of its cathartic effect. Therefore‚ comedy is delegitimized. But comedy does serve a social purpose that can be considered cathartic. It can be an outlet for social angst. At the time Lysistrata was written‚ Athens‚ a superpower of their time‚ had just lost a battle with Sparta. This probably shattered the conceptions of Athenians. And as a result‚ Aristophanes used a ribald comedy about the less-than-citizen women of Sparta and Athens
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similar comedic characteristics and then other plays are the exact opposite of comedy. Shakespeare wrote tragedies‚ romance‚ history‚ comedy and problem plays all with great success. During the performance of these plays there was no scenery so great time was taken when developing the characters and the plot so the plays would be entertaining. A Midsummers Night’s Dream and Much Ado About Nothing are just two of the comedies Shakespeare wrote. These two plays have many things in common where as Measure
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