of monopoly of music by males Subargument #2: Amateur female musicians are further limited by social boundaries that occur in music Jazz Article 1 (Willis) | E/DM 2 | Saturday night fever 3 | Bass article – Clawson 4 | * Women instrumentalists are deliberately avoided/removed in the hegemonic jazz discourse to preserve the construction of jazz as a masculine space. * Women can only perform aspects of identities that are naturalized‚ and end up being largely written out of jazz. * Languages
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the charts half a century ago. Legendary guitar rifts and pioneering vocals of artists such as Jim Morrison‚ Janis Joplin‚ and John Lennon have been replaced by electronic sounds‚ heavier beats‚ and faster lyrics. Yet‚ have the underlying themes of music changed along with their sounds? Is the disfavor with which older generations look down upon contemporary
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arts experience credit. After about two songs‚ I remembered that I was in Music Appreciation and some of the songs they were playing‚ I heard in class before. I began to tune into to certain instruments and listen to their unique sound and what significant part they played in the song. I also began to realize that I was catching on to some of the patterns in the melody‚ for example ABBABBA. If I had never been in the music appreciation class I wouldn’t have done any of those things‚ but it’s just
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| Jazz Music and its Musicians | | | By Brandon | | | Jazz started when World War I had just ended and a social revolution was on its way. Customs and values of previous were rejected. Life was to be lived to the fullest. This was also known as the era of the "lost generations‚" and the "flapper" with her rolled stockings‚ short skirts‚ and straight up-and-down look. They disturbed their elders in the casino‚ night clubs‚ and speakeasies that replaced the ballrooms of prewar
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Carissa 2-22-10 Ahrens english 90 Prewriting for reader response on inside out I was almost overwhelmed by fear when my friends car slammed into the car in front of us on the freeway. It was the year 2008 and my friends and i where driving to Oceanside from San diego to go to an concert. It was my friends Candice‚ Karis‚ Moline‚ and Kayla. Kayla was driving with candice in the front seat‚ Candice was three months pregnant. The rest of us was sitting in the back seat‚ I was sitting
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History and Music Alex Brown Music doesn’t change. It stays the same day in and day out. It has the ability to spark furry‚ or the power to tranquil a mind. It can cause a revolution‚ or mellow a storm. Music‚ like Malcom X. Like Martin Luther King Jr. Like Gandhi‚ brings change. Music lasts over time‚ even now in the 21st century Skynard‚ The Stones‚ The Beatles‚ and ACDC are still on the stations and album shops all over America. The amazing thing about music is that it affects everyone in a different
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The Role of Music Music plays an important part of our life‚ community‚ and our culture. Without music many people would go unnoticed from their natural talent. Music takes many roles; singing‚ playing an instrument‚ using technology‚ and creating an art. Music is the key to our personalities and to whom we are. Without music we notice that our lives become flat and dreary. Music creates wonderful masterpieces and a sentimental songs that we can base from. Music makes our lives‚ communities
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At first thought my definition of well being was simply well physically‚ without sickness and or pain. It wasn’t until this class that I learned the true meaning of well being and that there are more indicators than just physical or health. According to Miriam Webster‚ "Well-Being is the state of being the state of being happy‚ healthy‚ or prosperous." MSN Encarta says "Well being is having good fortune or health. Emotional well-being‚ like physical health‚ can be judged on a variety of dimensions
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short story “The Step Not Taken” by Paul D’Angelo‚ the use of this archetypal pattern is evident. The three stages found within the monomyth are separation‚ struggle or initiation‚ and return and reintegration. During the separation stage there is a call to adventure‚ in which the hero figure is usually unaware of the events to follow that will change their life. Once they are aware of the quest or journey the protagonist will refuse to go. In the story “The Step Not Taken” by Paul D’Angelo the protagonist
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not simply experiencing life‚ but learning from one’s experience. Such is demonstrated in Toni Cade Bambara’s “The Lesson‚” and Robert Frost’s‚ “The Road Not Taken”. “The Lesson” demonstrates a child’s shift from arrogance to learning a lesson she was resistant to learning through the experience that her teacher provided. “The Road Not Taken” demonstrates the value of having to put in effort to work one’s way through life to gain the experience necessary to be successful. Both involve the gain of
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