The Recording Studio as a Creative Tool This essay will investigate the creative methods behind the ‘Thriller’ album. The main practitioner of this essay will be the engineer behind the ‘Thriller’ album Bruce Swedien‚ whom will sometimes be referred to as ‘Swedien’. His methods and theories will be the main focal point. Bruce Swedien has engineered for several of Michael Jackson’s albums including ‘Bad’ this essay will therefore also seek to make reference to some of the creative methods he implored
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The Harp The Harp is the oldest known stringed instrument‚ made up of a frame that surrounds multiple strings. The amount of strings depends on the size and type of harp‚ the concert harp typically has 47 strings which ranges 6 and a half octaves. The word harp comes from the Anglo-Saxon word meaning “to pluck”. Smaller instruments similar to the harp include the lyre‚ which has strings of the same length but of varying thickness and tension; the psaltery‚ which has a frame open only on one
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rehearsed and sung very well. A few times someone said a line a little to fast but otherwise everything was very believable. They all had microphones on so they were nice and loud but whoever was controlling the microphones could have used a little more practice because their voices would cut in and out and the audio person would turn the wrong person’s microphone on. They all had great choreography and gestures. The set was excellent. It was hand painted and fit the story very well. They also set
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recording? Don’t worry‚ you’re not the only one experiencing popping sounds in vocal recording and you don’t have to blame your dear old microphone for that. What you need is a good quality pop filter. A pop filter is certainly an indispensable tool for both professional and home recording needs. Basically‚ it prevents plosives from being picked up by the microphone by blowing up the quick bursts of air formed when speaking words with letters P‚ B or T. Yes‚ you can make a simple pop filter with just
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Introduction A PA system that is installed correctly and operates at its optimum level will allow a sound signal to travel from one or more microphones to a mixing console. At the mixing console all signals will be mixed together in the right balance and levels and sent out to an amplifier. The signals are then converted into much larger signals and sent to the speakers creating sound waves for the audience to hear. (Fry‚ 2005) The aim of this report is to analyse by way of reference books
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Sound recording techniquesl Microphone techniques In order to have a good mic technique you’ll need to understand how the microphones diaphragm work’s depending on sensitivity to your vocal performance you’ll need to adjust your body/ or object according to the dynamics of your delivery. In order to have a high quality recording. Recording drums Some microphones are used for the testing of speakers and checking noise levels etc. These are known as calibrated transducers and will usually
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RECORDING PROCESSES. 2 REFERNCE TRACKS. 2 SESSION PLAN 1. Drum Track Listings. 3 Microphone Positioning. 3-4 SESSION PLAN 2. Bass Track Listings. 5 Microphone Positioning. SESSION PLAN 3. Guitar Track Listings. (Rhythm) 5 Microphone Positioning. SESSION PLAN 4. Guitar Track Listings. (Lead & Overdub) 6 Microphone Positioning. SESSION PLAN 5. Vocal Track Listings. 7 Microphone Positioning. SESSION PLAN 6. Drum Mixing. 8 EQUALISATION PLAN. SESSION PLAN 7. Guitar
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Live Sound Reinforcement Equipment |Specifications: | | |Sensitivity (for full rated power at 4 ohms) |1.4 Vrms | |Frequency Response (at 1 watt‚ 20 Hz - 20 kHz) |+0 dB‚ –1 dB
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Low Power FM Transmitter Rod Elliott (ESP) Share| [pic] Introduction This article should satisfy those who might want to build a low power FM transmitter. It is designed to use an input from another sound source (such as a guitar or microphone)‚ and transmits on the commercial FM band - it is actually quite powerful‚ so make sure that you don’t use it to transmit anything sensitive - it could easily be picked up from several hundred metres away. The FM band is 88 to 108MHz‚ and although it
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of energy into another. Speakers‚ human ears‚ and microphones are all examples transducers. Transient- A short‚ quick burst of energy that is non-repeating. Commonly associated with the attack of percussive instruments. However‚ all music contains transients. In speech‚ transients are associated with consonants. Transients are typically weak in energy and associated with the higher frequency range. Transient response- How quickly the microphone reacts to a sound wave and specifically to those transients
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