Chonnie 12KBS Children of Men is a thought-provoking dystopian film directed by Alfonso Cuaron. It explores the idea of mankind’s own impermanence. Nearly two decades of human infertility have left society on the brink of collapse. There are many important scenes that help to develop the film. I found the last scene particularly intriguing as it left questioning viewers to come to their own conclusions. Children of Men explores the key ideas of hope and faith in the face of futility and despair
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peeled and sliced (.) (long shot) with a little olive oil (.) salt and pepper (.) (Close up) I want (1) a sprig (1) of (1) rosemary (1) and then I’ve got 3 cloves of garlic (2) and at this point I want a nice nub of butter (2) straight in (1) while its melting (.) (medium shot) I’ve got 2 sticks of celery (close up) (2) 2 carrots (1) peeled (.) and sliced (2) mushrooms (2) (long shot) slice em up (2) (close up) and then over here I’ve got (.) inch (1) dice (1) (long shot) of (.) brisket of beef
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The nature of a discovery can be confronting in ways that are hesitant. The discovery that the passports and mobile phones of the participants are being taken away has a shocked feeling towards Raye which is expressed through middle close up camera shot. The natural lighting of the closed room indicates the rawness of her discovery which is foreshadowing the confronting discoveries of the future. A discovery may occur because of deliberate planning. The use of mise en scene where the participants’
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techiques are. Shots wide shot- a wide shot is a shot that shows the setting as well as the character. This kind of shot is used so the audience can understand the characters physical experience with the setting. normal shot- a normal shot usually shows the characters waist and up. This is a standard shot that helps to focus attention on the action. close up- a close up shot is a shot in which the camera focuses on a characters face or a particular object this kind of shot is so it can grab
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“THE JOURNEY NOT THE ARRIVAL MATTERS.” HOW IS THE CONCEPT OF LENA AND VAUGHN’S PHYSICAL JOURNEY REPRESENTED IN THE FILM? A physical journey is predominantly interpreted as a mere distance travelled‚ although it is also layered with extending ourselves emotionally‚ spiritually or intellectually. In the text Beneath Clouds‚ the director Ivan Sen ingeniously explores the concept of a physical journey mirrored with the emotional growth of the main characters. The essential motif that the journey‚ not
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is an alcoholic‚ although he does drink in extremes where the normal human being would be unconscious‚ and Sera is a prostitute‚ so the intense situations and decisions in this movie are reasonably depicted. One of the first scenes is an extreme long shot of the city of Las Vegas‚ because this sinful city was very
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Mad Max: Fury Road is located in the post-apocalyptic desert with harsh orange and yellow colours with open skies‚ every shot is bright and has high key lighting. With the setting alone the viewer can imagine the immense heat of the land and the lack of life in this world ravaged by the folly of past men. When creating the costume for Imperator Furiosa‚ the main item the
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between the two sisters is outstanding and the dialogue snappy. As the events are based on history and the viewer usually knows the outcome‚ the atmosphere and aspect of rivalry is impressive. Nevertheless they sometimes skipped too quickly from one shot to the next and everything seemed a little disjointed and hurried‚ which was a shame because the beautiful costumes and the outstanding attention to detail. Overall it is regarded as an enjoyable film with accurate connection to history‚ a little bit
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Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film ’Rear Window’(1954) - 500 words Camera shots - Close up‚ medium shot‚ long shot‚ wide shot‚ framing. Camera Movements - Pan‚ track‚ crane‚ zoom‚ reverse zoom‚ tilt Editing - Cut‚ montage‚ fade in/out‚ dissolve‚ super impose‚ slow-motion Sound - Soundtrack‚ musical score‚ sound mixing and editing Other useful terms - scene‚ sequence‚ mise-en-scene‚ lighting‚ actor‚ theme‚ narrative‚ style and
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made in 1985 produced by Australian film maker Peter Weir; he has successfully conveyed many themes‚ issues and concepts in this film. The opening scene of the film “Witness” establishes many features of the film. These features include the camera shots‚ camera angles‚ light‚ sound‚ and dialogue‚ positioning of characters and setting. The opening scene is significant as it examines the concepts of ; how the peaceful Amish communities are marginalised and isolated from the modern world; the sense of
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