international tourism and the residents in the heritage tourism site. It studied the similarities and differences between the impressions of domestic tourist‚ international tourism and the residents in international heritage tourism site in the Kampong Taman Sari in Indonesia. Three principal dimensions were also found on the site: Attractiveness‚ Organization and Novelty. All of the three dimensions should be maintained but if there will be a problem such as facilities‚ cleanliness and the attractiveness
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Chartered Saadiq Berhad‚ the bank’s Islamic Banking subsidiary was established in November 2008‚ and offers a comprehensive range of Shariah-compliant products and services to individuals and corporates through its first Saadiq financial centre located in Taman Tun Dr Ismail‚ Kuala Lumpur. Standard Charterd was the first international bank to set up an Islamic banking arm (1993) and the first to
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Lermontov’s Characters and Russian Society In A Hero of Our Time‚ by Mikhail Lermontov‚ the author uses the multiple settings in each book to express different characteristics of Pechorin‚ which reveals Lermontov’s views of 19th century Russian society. Lermontov’s views of 19th century Russian society become apparent in many of his works‚ especially his novel A Hero of Our Time. Each town in the novel aspires different characteristics of the main character‚ Pechorin. Every characteristic revealed
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A Hero of Our Time is a novel that specifically reveals the environment of Russian society during the early 1800s. In an attempt to create a portrait of the vices of an entire generation Lermontov paints the portrait of Pechorin as he tries to diagnose the malady of the time. Each of female characters plays a very important role in this diagnosis‚ making it possible to more deeply open the superfluous nature of Pechorin. In this essay‚ I will examine how Pechorin’s inability to find satisfaction
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connection. Mihail Lermontov wrote the novella “A Hero of Our Time” with the understanding that the Byronic Hero was a common‚ well-known archetype; and therefore his challenge was to find unfamiliar ways to present this familiar hero. In A Hero of Our Time‚ Lermontov uses narration and sequence as devices to explore the Byronic Hero and fate. The readers of this time were able to recognize the Byronic Hero because this prototype had become fashionable to reproduce. Thus‚ Lermontov was able to bring
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broad shoulders gave evidence of a strong constitution‚ capable of enduring all the hardships of a nomad life and changes of climates‚ and of resisting with success both the demoralizing effects of life in the Capital and tempests of the soul” (Lermontov pg. 50). A true man is a man who takes responsibility. He is a man who takes responsibility for himself‚ his family‚ his influence‚ his actions‚ and his accountability. What do you think defines a true man? If a man takes responsibility for what
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“Will Not Grow or Blossom” (12) In Hero of Our Time‚ Lermontov utilizes Russian and Circassian cultures‚ to mirror the Romantic and Enlightenment philosophies at conflict within Pechorin. The divergence in Pechorin’s actions in accordance to the two societies allow for the hypocrisy of his conflicting ideals to be highlighted. The Circassian wedding in Bela‚ where couples face each other and say “anything that comes to mind”(12)‚ invokes the Romantic ideas of natural freedom and independence
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manipulative military officer‚ who Lermontov considers typical for his generation. The novel takes place in 19th century Russia when Tsar Nicholas I reined. Literature at this time was constricted to the portrayal of life only approved by the Tsar. Lermontov’s superfluous man‚ therefore‚ was revolutionary and sparked a lot of controversy as people were “offended that such an immoral person as the Hero of Our Time should be set as a model to them.” In the authors preface Lermontov criticizes readers who only
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Irena Curić dr. sc. Janja Ciglar-Žanić‚ red. prof. English Romanticism 08 January 2013 The Byronic Hero and Russian Romanticism Introduction George Gordon Byron‚ 6th Baron Byron‚ or simply Lord Byron‚ was a British poet of Scottish descent who is today considered to be the most influential British poet of the Romantic period (Catherine B. O ’Neill calls him "the best-known nineteenth-century British poet outside England"). His adventourous character and wild but appealing works made him
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The Romantic Hero in Pechorin‚ Onegin‚ and the Demon Through examining the works of Lermontov‚ A Hero of Our Time‚ and “The Demon‚” as well as Pushkin’s Eugene Onegin‚ we can see the similarities between Pechorin‚ the Demon‚ and Onegin and how each character embodies the qualities of the romantic hero. A romantic hero is a very contradicting character. For example‚ in the History of Russian Literature by Charles A. Moser‚ he describes the romantic hero as having “the anguish of emptiness; the
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