change of Indian fiction in English. The form of Indian novel in English has become more open‚ more playful‚ and more concerned. All the credit aptly goes to the gifted‚ stupendous‚ and extraordinary creative genius‚ Bankim Chandra Chatterjee. He‚ indeed‚ took all the pains to make novel a genre in Indian writing in English. He began to write Rajmohan’s Wife‚’ the first Indian Novel in English‚ in the year 1864. It was his initial and tentative attempt as literary genre to fiction based on a Victorian
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Maria Anwar M. Phil Literature – 2nd Presentataion on “Persepolis as a postmodern fiction” What makes Persepolis a Postmodern Fiction? A mix of High art and popular culture: Marjane Satrapi’s ’’Persepolis’’ is the latest and one of the most palatable examples of a postmodern genre‚ an autobiographical novel in form of a comic-book which tells the history of Iran from Marjane’s point of view. Persepolis is a postmodern graphic novel that blurs the boundaries between popular culture and high art
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The story “On the Danger of Reading Fiction”‚ Thomas Jefferson clearly shows his dislike for the world of fiction novels. Jefferson has stated that fiction novels are “time lost in that reading” and thinks it should be instructively employed. It’s apparent that anyone who is a fiction novel enthusiast could indeed become offended by the comments made by Jefferson‚ but at the same time need to understand that he made those comments in an entirely different era than today’s modern way of thinking.
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How to ANALYZE FICTION William Kenney Assistant Professor of English Manhattan College Monarch Press Copyright @ 1966 by Simon & Schuster Printed in United States of America How to Analyze Fiction 2 Chapter 1 Plot Choice Fiction and Choice: The act of writing. Whether one is writing a complex three-volume novel or a personal letter to a close friend‚ consists of a series of choices. To see just what this means‚ let’s consider the simpler form‚ the personal letter first. Choice
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The editors of “Flash Fiction” asked themselves the question‚ “How short can a story be and still truly be a story?” (11). With this in mind‚ they settled on a maximum word count of 750‚ with a minimum of 250. They debated keeping it as “one story to a page‚ just a little book of little stories‚” but soon realized that‚ without the turn of a page during a story‚ the reader is easily bored (13). Instead‚ they allowed the stories to begin and end naturally in the book’s layout. “Pumpkins” is a
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DRAMA For many decades‚ drama has been in our world. It gives us feelings‚ emotions‚ morality and sometimes quotes. What is drama exactly? Is it a play? An action? Or just an entertainment? Hamilton Carole in his article “the study of drama” defined Drama to be a representational art‚ a visible and audible narrative presenting virtual‚ fictional characters within a virtual‚ fictional universe. Also he stated “Dramatic realizations may pretend to approximate reality or else stubbornly defy‚ distort
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The novel of Harris stands as a signpost of current horror fiction in the development of the serial killer as an antihero. With the creation of arguably the best fictional criminals ever‚ Harris makes reference to his habit of making use of real-life serial murderers and forensics to establish a practical subgenre of the crime thriller. The tones of the chapters vary here‚ which resulted in a diverse and uneven read. The conversation of Lecter discloses his penchant for psychology and the coaching
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SEVEN ELEMENTS OF FICTION 1) PLOT - Action which occurs -- 5 ingredients plotted as a witch’s hat 1) Exposition (introduction) - background information 2) Rising Action / Complications - conflicts are presented 3) Climax - high point of the action 4) Falling Action - lessens the intensity 5) Denouement (conclusion) - pulls the story together ["They lived happily every after"] NOTE: NOT ALL STORIES CONTAIN ALL 5 INGREDIENTS 2) SETTING - Time‚ Place‚ Customs
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stories that easily relate to the reader as well. Both stories caused a personal reaction as the writer used certain strategies to detail the idea‚ theme‚ and purpose behind each of the writings. It is also important to know the difference between a fiction and nonfiction story. The author has to intrigue the reader’s imagination to make the story interesting. Reactions and Strategies Salvation Salvation was written by Langston Hughes in 1940. This is a nonfictional story based on a childhood experience
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classifications” (Miller 207). Thomas is cautious in interpreting Conrad’s narrative and questions the possibility of being able to glimpse into an essential truth by placing the text in historical context. Thomas quotes Miller‚ to synthesise “Conrad’s fiction in the context of the history of ideas” (Thomas 242)‚ and later on takes up Miller’s suggestion in the evaluation of The Nigger of the “Narcissus” by Conrad to demonstrate that there can be “decisive unveiling” (Miller 220). Although Thomas does not
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