neutral colors are constantly changing in different contexts - Manipulations of our perception are examples of contextual influences that surround our every perception III. Properties of Color h. Hue - Refers to the name of the color (ex/ red‚ orange‚ green‚ purple) 6. Hue -
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Melancholy of a street‚ 1914) depicts unity and variety with light/dark (cooler and warmer hues) various shapes and lines. Unity is depicted in the repletion of the square windows‚ directly above the repletion of archways alongside two buildings. Variety is depicted in the chosen colors and various shapes and lines. In "Chirico’s" oil canvas‚ variety is applied by the contrasting of warmer hues aside the cooler hues (light and dark) conveying both space/distance and receding/closeness. The unity and variety
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Shakespeare’s ‘Sonnet 20’ This sonnet has been the subject of much debate as academics theorise for and against the possible homosexuality of Shakespeare‚ as per the sexual connotations present in the sonnet and the way Shakespeare plays with gender. However‚ the way in which one interprets poems of any kind is highly subjective. Consider‚ for instance‚ a poem on love: the poet cannot be claimed as being an expert on love and its merits‚ and oftentimes a poem is not necessarily based on a personal
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that was based on the non-representational properties of color and form. In the Black Spot‚ Kandinsky used primarily organic shapes and mostly primary colors but has hints of complementary colors as well. The Black Spot is emphasized by using the hue of black with tint of white‚ it draws your eyes immediately to it. The composition has actual lines that is supposed to move your eyes all around the picture. In the upper right hand corner is painted with primary colors‚ yellow and hints of blue. The
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The brown marker appears to have more than one dye present therefore it had to be mixed to create the color brown. The mixtures of dyes used to create this color are orange‚ pink‚ a pink hue‚ and a teal blue. The order from least to greatest in which they traveled from the starting point is orange‚ pink‚ pink hue‚ and teal blue. The orange dye has the greatest infinity for the paper or stationary phase because it traveled the least furthest from the starting point compared to the other dyes. The
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Ho Chi Minh Mausoleum (Ha Noi Capital) throughout 24 provinces along Viet Nam‚ to Phu Quoc Island for 36 days. This was a long and difficult trip. A journey was long 2400 kilometers‚ divided into 3 main periods. The first was from Ha Noi Capital to Hue City. We had many difficulties‚ specially the weather. It was very hot‚ temperature even was up to 38°C. As you know‚ we went along 1A Highway. It was so dangerous‚ because there were many transports‚ and a little accident happened. Besides‚ long distance
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As we rounded the corner to enter the elevator. A large painting was on the wall. The painting saturated in color. The hue of red‚ orange‚ yellow and blue. It appeared to have two human like figures in it. There was no title and I do not remember the name of the artist. The only thing I remember about it was that it was bright. The vivid hues did bring attention to it but I have no idea of what the message was supposed to be. Once we reached‚ the Newcomb exhibit things were a little
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Coloured white‚ not coloured October-07-13 10:40 PM Author: Richard Dyer NOTES: the following notes on this article contains sections of the paper the author deems to be important. It is not intended to infringe upon any copyright laws. It is simply meant to highlight the important sections of the paper. The capter considers the implicatons of a particular group of people being categorized by means of the colour white -to apply the colour white to white people is to ascribe a visible
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the lines used make my appreciation of it. The wide span of colors and hues were very intriguing by making the painting come to life. The light used was natural. The emotional al context of this painting was just the daily life of everyday people and the real beauty of that. The second Italian piece is the Portrait of a Lady in a Green Dress by Bartolomeo Veneto 1530. This portrait is one of my favorites because of its deep hues and the woman who had been chosen. This woman with her pale skin and
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