Comparison of Three Sculptures Sara Aleman ART/101 David makes part of a very important character of the bible. It is the name of a small boy named David who defeated a giant named Goliath with a tiny stone. This bible story has inspired many artists among the years to make representations of David. Donatello‚ Michelangelo and Bernini make part of the inspired artists. These famous artists created sculptures to represent the brave David. These sculptures represent the same character but with
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renaissance as well as the drastically different interpretations of the character‚ may it be the physique‚ the action‚ the age or any other detail. The one point I want to focus on is that in each of these statues‚ the artists have succeeded perfectly on giving David the perfect
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In this essay I will compare and contrast two ancient head sculptures. The first is a female head (Inanna) from Uruk‚ (modern Warka) Iraq. The artist is not very sure about the head that belongs to Inanna. The marble head dates back to c.a. 3200-3000 BCE‚ and is comprised of marble. The second image is the head of an Akkadian ruler‚ from Nineveh (modern Kuyunjik)‚ Iraq‚ c.a. 2250-2200 BC‚ and is constructed of copper. Both the sculptures contain very distinctive artistic features and were constructed
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the whole city is perfectly aligned to mimic how the planets were thought to lie in the solar system at the time. At the top of most Ziggurats‚ there were sanctuaries that were dedicated to the protective gods and/or goddesses of that particular city. The buildings were normally magnificent in size and the stairways leading up to the sanctuaries normally consisted of a very long series of steps. Experts feel that this symbolism represents how various peoples wished to unite the heavens and
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Michelangelo’s David The first piece of artwork that I have chosen to work with is the David by Michelangelo. Yes‚ this is one of the‚ if not the most famous sculpture in the world but that is not my reasoning for choosing it. Before seeing the actual David inside of the Galleria dell’Accademia‚ I visited the copy of it outside of the Palazzo Vecchio. After getting my first taste of the fake version‚ I thought it was a cool sculpture but didn’t see what all of the hype about Michelangelo’s could
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This sculpture titled “Head of an Akkadian Ruler” was found at Nineveh somewhere between 2250 and 2200 BCB. Although‚ there is no evidence or proof that says the head was a particular king‚ most believe the head was indeed a powerful ruler. This twelve inch copper head is currently at the Iraq Museum‚ Baghdad. This piece has significant damage which is assumed to be caused during the Medes’ invasion on Nineveh in 612 BCE. There is no absolute proof this was a purposeful act. This sculpture is life-sized
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giant Goliath with stone and a sling. Donatello‚ Verrocchio‚ Michelangelo‚ and Bernini each designed a sculpture of David. However‚ the sculptures are drastically different from one another. Each one is unique in its own certain way. Donatello‚ whose David was the first life-size nude statue since Classical times‚ struck a balance between Classicism and the realism by presenting a very real image of an Italian peasant boy in the form of a Classical nude figure. Although Donatello was inspired by Classical
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Sans GEN 143 A Assignment 1 Word Count: Antonio Canova’s Sculpture: Psyche Revived by Love’s Kiss This statue follows a common theme about the Ancient Greek Gods and Goddesses‚ which have always had an intriguing amount of drama. This in which gave the sculptors and artists of many decades time to express these feelings throughout their work. This particular sculpture is done by Antonio Canova about the story of Psyche and how Cupid awoke her with a kiss after completing tasks put forth to
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Chiovaro December 3‚ 2012 Optional Paper Art History 109 Define the transformations that have taken place between the sculpture of the late archaic period and that of the early Classical period. Note how these imply a change in relationship of the viewer to the work of art. Throughout history‚ sculptures have developed significantly. The Western tradition of sculptures began in Ancient Greece along with Egypt and many other ancient civilizations around the world. Greece is widely seen as
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Neptune and Triton is a life-sized marble sculpture made by an Italian artist Gian Lorenzo Bernini which was commissioned by Cardinal Alessandro Peretti Montalto in 1622. [Figure 1] It depicts the figure of Neptune and his son Triton‚ captured mid-movement as they play out their roles in the narrative to which this scene belongs. Bernini uses his talent and artistic skills to create an illusion of action‚ an atmosphere of anticipation as we wait for the figures to come alive and break free from
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