"How does miller create dramatic tension at the end of act 1" Essays and Research Papers

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    How are Parris and Abigail presented in Act 1 (Scene 1)? The scene opens with the character of Reverend Parris “kneeling beside the bed” on which his daughter Betty lies in what seems a state of unconsciousness‚ after being discovered to have been “dancing like heathen” in the virgin forest. Parris “seems about to weep” for what the audience believes is for his daughters condition however we later discover that his concern lies predominantly with what the villagers will think of him. “And

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    of the Birlings house in Brumley‚ just before the First World War. It was first performed 1 October 1946 to an audience who had just lived through the Second World War. Priestley uses dramatic tension through the play to make it interesting and full of suspense for his audience. Mrs Birling’s interrogation begins half way through Act Two. So far in the play Inspector Goole entered the Birling Household in Act one whilst they were having a small engagement party for the Birling’s daughter Sheila.

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    the chimney.” Based off of this quote‚ this shows how there is a sense of fear and panic in the old man which‚ brought that horror characteristics into the story. Then‚ there was also fear of insane that was brought towards the end of the story. It says‚ “Yet the sound increased and they heard! They suspected! They knew! Villains! I shrieked dissemble no more! I admit the deed! Tear the planks! It is the beating of his hideous heart!” This shows how the killer let the fear get closer to his insanity

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    drawn to the last scene because of the dramatic irony‚ the audience are aware that Juliet isn’t dead whereas the characters all believe she is dead. ‘To Juliet’s grave‚’ this shows that Romeo believes she is dead and is going to visit the tomb. The audience are drawn into it because the words he uses in that line suggest he is going to do something when he gets to Juliet. The scene is set in the Capulet tomb‚ also where Tybalt is buried. This adds tension because the time the play is set people

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    How does the director Stephen Spielberg use filmic techniques to build suspense and build tension for the audience in the film Jaws? Stephen Spielberg is a very famous director and well known for his high budget action films. The film that will scare anyone and live on for generations is the terrific Jaws‚ the first ever block bluster in 1975. His tagline was very catchy and ment something to people as in when people went to see Jaws‚ to then go on holiday they did exactly what it said “Don’t

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    Analyse how Willy Russell builds a sense of drama and tension in the cliff top scene of ‘Our Day Out’ Our Day Out is about a young vulnerable child called Carol‚ who embarks on an emotional journey. Willie Russell uses a poor‚ young emotional child to get the audiences sympathy. Using such characters and emotive language he makes the cliff scene dramatic. Carol is the small confused child and initially comes across as a naïve girl who seems ungrateful for her lifestyle. She always seems to

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    Trace the development of dramatic tension in this scene from the apparently innocuous conversation around the meal table to the closing tableau of the chair lifting episode which concludes the act This scene is the last in act one and is an important scene for building up drama and tension between the characters. Even the positioning of the scene helps the drama‚ by putting it at the end of act 1‚ where in the theatre there would be an interval‚ it leaves the audience with a cliff

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    How does H.G Wells create tension and suspense in “the Red Room” The red room written by H.G.Wells was written in the year 1894. It is written in a gothic style and is a physiological thriller that was very popular at the time. The story involves many of the typical themes and settings such as a dark haunted castle‚ spiral staircases‚ evil shadows and subterranean passages. H.G.Wells uses a lot of language techniques like similes‚ metaphors‚ onomatopoeia‚ alliteration and repetition to create

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    The tension that Steinbeck creates in chapter six is very prominent; there are moments of peace and moments of despair. The first case in which Steinbeck creates tension is at the very beginning of the first chapter where the reader can hear peace. It is only after reading chapter six that the reader on hindsight can compare the peacefulness in the first chapter to the tension in the last chapter‚ this creates tension as the reader is now well aware that one of Steinbeck’s narrative techniques is

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    evolution of his morals in the begging of the movie to those at the end is shown in his surveillance reports. When he first begins to listen to conversations in the apartment he is very diligent and accurate in reporting what is going on. His transition is at first subtle such as not wanting to switch shifts with the second agent‚ or leaving out the details about the minister or her unfaithfulness. As the plot progresses so does his exclusion of details in the reports. When

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