Statue of Gudea. Within each of these we find similarities and differences which I will be discussing at length within this paper. I will also be considering the intended purpose or function that each of these sculptures has. To begin‚ we will look at the medium. The most obvious similarity is that these are both sculptures of individuals and are meant to depict the person (or people) in a somewhat realistic manner. Memi and Sabu are themselves slightly larger than the Statue of Gudea‚ but hey both
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Stonehenge: In England… features in Arthutian legend and in other novels… built during the Neolithic‚ meaning new stone 2950-1600 BCE Middle Eastern Art BCE Dates: Sumerian/Mesopotamian/Old Babylonian – present day Iraq 4‚000 – 1‚925 BC Hittite – from Turkey 1‚500 – 700 BC control overlaps with Assyrian Assyrian – drive out Hittites 1‚000 – 612 BC Neo-Babylonian/Chaldean – 605 – 562 BC Persian – (present day Iran) 538 – 330 BC Innovations of the culture: Plough‚ cuneiform‚ developed tax
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statue of Gudea has a great historical and cultural value in art history. Back in the Middle Ages‚ statues were used in telling stories of culture and societies and a form of enlightenments to the people as opposed to the modern day writing and digital designs which is readily available for use. It helps to inform us of how ancient people thought‚ their practice‚ culture and religion. In this essay‚ I will compare and contrast the Egyptian statue of Memi and Sabu and the statue of Gudea from the Neo
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The Egyptian statue of Memi and Sabu‚ and the Sumerian statue of Gudea‚ are two sculptures that can be easily compared. Their relative geographical proximity‚ and their history age must be taken in account for any type of comparison. As shown in the below image‚ both works belong to middle east area with no more than 500 years between their realization. It’s therefore understandable that the crafting style is similar in many aspects. Even a non-expert person‚ can notice similarities in the carvings
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not sitting like the statue of Gudea‚ their common dressing
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This paper is going to compare two statues: statue of Memi and Sabu and a seated statue of Gudea. Both figures have been purchased by the Metropolitan Museum of Art in New York City and are displayed there. I will start with writing about the origin and the age of both figures‚ and then compare materials used to create them‚ as well as the style and function of both of them. The first piece‚ The Royal Acquaintances Memi and Sabu‚ originates from Egypt and it is a 4th Dynasty figure of a couple
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the acquaintances of royalty‚ but their dressing and stance indicates that they were not royalty. This sculpture was buried with the hope that the spirits would benefit from the gifts and food that would be brought to them. The sculpture of Gudea is from the Neo-Sumerian period‚ dated 2090 B.C. It
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A Progression of Idealistic Perfection in Sculpture: Khafre Enthroned to Kritios Boy Early Egyptian art from the Old Kingdom‚ ca. 2575-2134 BCE‚ demonstrates uniform structure. Egyptian artists and sculptors adhered to a system of strict rules known as canon to create this consistency. The Egyptian canon suggested perfection to be a rigid‚ ageless idealization of reality. Roughly 1‚500 years later‚ a progressive canon emerged in Greek art reflecting new ideals of perfection. Greek art beginning
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the topic of the Sphinx. Although some scientists and geologists agree to disagree‚ most have come to one conclusion. The Egyptian Pharaoh Khafre originally ordered the Sphinx to be built as part of a tomb for his father using labor from both Egyptian workers and civilians. The Sphinx was originally ordered by Pharaoh Khafre. According to Hadingham‚ Pharaoh Khafre of ancient Egypt ordered the monument to be made as a symbol of offering to the sun god Ra. The Sphinx
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In the review and comparison of The Royal Acquaintances Memi and Sabu and the Statue of Gudea I chose to initially review both pieces without reading the descriptions so that I was able to review and assess the art from my point of view with out outside influences. I was able to ascertain the they were both from different geographical locations but shared a similar heritage. The different geographical locations was based on the clothing and text used in each sculpture. The similar heritage is apparent
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