According to the dictionary the word mural means a painting or other work of art that is directly executed on to a wall. The mural started out as what is known as graffiti‚ which comes from the Latin word graffio‚ meaning scratching or scribbling. Murals are in existence in almost every city across the world. More specifically‚ I want to zero in on cities such as Philadelphia‚ Los Angeles‚ and Belfast and Derry Ireland. An individual may believe that murals are there to beautify the city‚ however
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to be very effective. What I found most interesting though‚ is how he compared writing to an art form which says the stuff people don’t want to hear. As he was talking about this topic‚ I couldn’t help but compare his style of writing to that of graffiti art. He holds a rebellious attitude towards society that makes his writing appealing. Attending this reading taught me much about the topic of learning by making mistakes. My whole life‚ I’ve been raised
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Banksy is known around the world for his artwork creating conversations that people are too afraid to start. Although graffiti is seen as a vandalous crime‚ Banksy’s work is use to point out the crime that is really harming our environment and society. Politics‚ economics‚ homophobia‚ hypocrisy‚ and war are all themes used in his work to project his beliefs on the recent issues around the world. As there are many fans of this anonymous artist‚ there are also many people who disagree with him. Banksy’s
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The Power of Context In Malcolm Gladwell’s “The Power of Context‚” Gladwell states that actions that people commit‚ whether good or bad‚ are influenced by the nature of the situation more than their actual intentions. The psychological tendency for our minds to morph mannerisms and behavioral information into character explains the “context” portion of Gladwell’s theory. Gladwell wanted to prove his theory that by applying his “Power of Context” theory into the numerous incidents and experiments
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story on paper‚ and graffiti tells a story too‚" said Steve‚ a 22-year-old Vancouver-based street artist who asked that his name not be published. "People just don ’t see past where [the story is being told]." Societal conceptions of urban graffiti are all over the map. While some view graffiti as the flourishing of urban art and expression‚ others view it as a sign of generational decay or a lack of respect for others ’ property. After all‚ the people forced to view the graffiti didn ’t ask to see
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In our small region of Scioto County‚ graffiti is often found everywhere. Usually‚ it is gang names‚ and words that are tattooed on walls or on the side of trains‚ that is if you don’t count the astonishing murals painted up on the flood walls. Other places‚ however‚ have graffiti that looks as if it belongs in an art museum. The city of Berlin has hundreds of of there beautiful masterpieces. It began when the wall in Berlin fell during the Cold War‚ and the creativity and chaos broke out with the
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“Imagine a city where graffiti wasn’t illegal‚ a city where everybody drew whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited‚ not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall - it’s wet. ” (Banksy 85) Graffiti is a global form of expression that is untamed but uses similar methods as advertisements
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rich or poor. The largest age group arrested for vandalism is between 13 and 14. However‚ children as young six and seven vandalize schools and park areas. Teenagers with growing-up problems act destructively by destroying vehicles‚ spray-painting graffiti on public places‚ etc. Older youths often commit more serious acts such as damaging vehicles or machinery‚ burglary‚ arson or theft. Although most vandals do not have a clear motive for their acts‚ studies show that basic social problems and attitudes
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debate surfaced regarding the impact of graffiti on communities. The editorial‚ in the 16 July issue of The Daily Tribute‚ contends in an emotional and didactic tone that local governments and councils should be supporting prideful citizens and adjudge graffiti as vandalism. In contrast‚ the letter by Michaela Whitehouse‚ a representative of the East Park Council‚ controverts in a scathing yet conciliatory tone that certain places should be dedicated for graffiti and solidly defends the council’s position
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of art painted on the walls of the street or any flat surface visible to the public.1 But as time pass‚ graffiti evolved from a plain drawing or writing about political issues and social commentary to a randomly created writing of gangs and groups.2 Today’s graffiti are hardly understandable and mostly offensive and these reasons are worth receiving rants from people. People rant about graffiti because it makes the surroundings look dirty‚ it sometimes shows offensive writings and drawings‚ and most
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