Antigone is a tragic hero. Aristotle says that there are specific characteristics that compose a tragic hero. The hero must suffer more than she deserves‚ the hero must be doomed from the start‚ but bears no responsibility for possessing his flaw‚ the hero’s story should arouse fear and empathy‚ and he has to be faced with a very serious decision that he has to make. Antigone applies all of these categories to be a tragic hero. Antigone is not afraid to be a tragic hero and knows what she is doing
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humbles himself shall be exalted (Matthew 23:12‚ The Bible)’. Pride is a natural flaw that most people do not realize. Some can control it‚ while others let their pride blind them from logic and truth. Naturally‚ Macbeth has this attribute and he demonstrates it throughout the play. Shakespeare purposely introduces Macbeth as a proud character. The witches’ prophecies give him his confidence. And as his confidence grows‚ so does his pride until it eventually consumes his power-crazed mind. Macbeth
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The character playing the role of Macbeth is considered to be a tragic hero. His actions‚ personality and qualities are three ways to explains why Macbeth is consider to be a tragic hero. At the beginning of the play three witches plan to meet Macbeth after the battle. The King of Scotland is proud of Macbeth for defeating the battle against the Irish. The leader of the Irish was Macdonwald who was one of them and he was rebelling against the King. After the battle with the Irish the Scottish were
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Creon and Antigone can both be claimed the title of Tragic Hero. Creon was made king when Oedipus Rex fled the kingship. Creon is the brother in law of Oedipus‚ and was giving the kingship only because Oedipus’s sons‚ Eteocles and Polyneices were killed trying to fight for the thrown. Antigone is Oedipus’s daughter and Creon’s niece. When it comes down to who the tragic hero is‚ Creon most definitely walks away with the title. A tragic hero by definition is ordinary person neither good nor bad
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A tragic hero has to rise in order for him to fall and die a noble death. In the play‚ Othello by William Shakespeare the main character Othello begins as a great valiant war hero who transforms into a tragic hero because of his own flaws. Shakespeare creates sympathy for Othello by showing us how great he was only to destroy himself due to his own tragic flaws. At the beginning of the play‚ Othello is represented as a great‚ valiant‚ respected and noble. Othello was once a slave but has gained
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(Jacques Barzun). A tragedy requires the tragic hero to have initiative towards a certain goal he or she pursues that results in their devastating defeat. Heroes never want to be involved with tragedies‚ but their miscalculations of an action influences them to be victims of tragedy. Based on Aristotle‚ every tragic play demonstrates a noble tragic hero having a fatal flaw that destructs their life but signifies a meaningful lesson. When examining the tragic hero in works of writing‚ Shakespeare’s plays
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Macbeth a tragic hero? Macbeth is the main character in Shakespeare’s play ‘Macbeth’. The play is a tragedy‚ therefore‚ the question arises; is Macbeth a tragic hero? Macbeth’s not only guilty of regicide‚ he also kills his best friend‚ an innocent family‚ and anybody else who he feels is a danger to his thrown. If we were to leave it at that‚ we could even name him a villain. However a tragic hero does not necessarily have to accomplish any good deeds‚ like the typical person we would call a
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philosopher Aristotle in his famous "Poetics" which discussed the characteristics of a tragic hero. In this composition of philosophy and literary theories‚ Aristotle’s ideas revolve around three crucial effects to audience members. First‚ the audience must develop an emotional attachment to the tragic hero. Next‚ the audience must fear what may befall the hero. Finally‚ once misfortune strikes‚ the audience pities the suffering hero. Clearly‚ for Aristotle’s theory to succeed‚ the tragic hero must be
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To what extent can Bosola be considered a tragic hero? “Let worthy minds ne’er stagger in distrust/ to suffer death or shame for what is just. / Mine is another voyage.” Thus the dying Bosola concludes his last speech and‚ in doing so‚ ends the life of a character whose very nature is at odds with the others’ – and with himself. For Bosola is a paradox: as a malcontent‚ he delivers line after line of poisonous verse; insults old women; sneers at the Cardinal and Ferdinand‚ whom he sees (justifiably
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Hamlet by William Shakespeare focuses on the drive of a young prince‚ prince Hamlet‚ who is driven to act out revenge on King Claudius for his role in the death of King Hamlet‚ Hamlet’s father‚ and the many who get trapped between the familial battle and power struggle between Uncle and Nephew. Throughout this tragedy‚ it is the realizations and the hidden truths that trap many of the characters for their ineludible death. In Shakespeare’s Hamlet‚ Hamlet and Gertrude are perfectly capable of hearing
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