The fact that the audience works in tandem with the actors on stage to dethrone Richard—or at least desire this dethronement—means they have some power‚ even if that is just the power of judgment. Phyllis Rackin argues that audience members play just as great a role in judging and misjudging characters within Richard II as any character within the stage. She acknowledges‚ “There is an extra role in the play not listed in the dramatis personae‚ a carefully calculated role complete with motivations…designed
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Evil - Richard III appears to be almost the personification of evil - physically deformed and with no redeeming qualities. He is very intelligent‚ but outrageous and‚ at times‚ amusing to read. He is a classic villain‚ mocking traditions‚ sadistic‚ untrustworthy and with a lack of conscience. Ambition - again‚ mainly seen in Richard as he sacrifices and kills without mercy in order to gain the throne. He also proposes to marry Lady Anne in the hope of producing heirs and building his dynasty‚ making
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William Shakespeare’s play ‘King Richard III’ and Al Pacino’s 1996 doco-drama film ‘Looking for Richard’ reveals the explicit relationships between each text and their respective audience. The Elizabethan and twentieth century contexts in each of these texts are important as it demonstrates the value of each text and enables the understanding of how the film enriches the ideas presented in the play. Shakespeare’s ‘King Richard III’ portrays a malicious and corrupted Richard to explore the themes of divine
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Through exploring connections between Shakespeare’s Richard III and Al Pacino’s Looking for Richard the values of the era are often a product of the context of the text. However‚ through studying the theatricality of man and the pursuit of power‚ it is clear these notions transcend time and context. Shakespeare valued the way an actor could act within a play and theatre was valued in this context. Shakespeare also demonstrated how Richard pursued political power‚ whilst Shakespeare himself pursued
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‘Shakespeare’s Richard III offers insights into the contextual concerns and values of Elizabethan England’ discuss the above statement with close reference to the play KR3 Context and values reside within any text‚ and are inevitable whether the text is composed reluctantly or purposely to communicate them. Richard III exerts an overwhelming insight into Elizabethan England context‚ and the values they upheld. A better understanding of context is evident through the values that derive and are
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The Use of Humor in Richard III There is no doubt that Shakespeare was the author of great pieces of literature during an interesting time period. Given the circumstances‚ he was indeed mastering his craft during a very tumultuous juncture in British history. When one reads Richard III‚ they don’t necessarily have to know a great deal about the War of Roses to understand that there is some serious strife going on. However‚ if the reader takes some time to understand this fascinating string of
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Richard III is a play by William Shakespeare‚ that tells the story of the ill minded King Richard whose lust for power ultimately led to his unfortunate demise. Richard III seems to be very self conscious and depressed about his deformities. Richard is willing to commit murder and treachery without a second thought. He is a skilled manipulator and can convince almost anyone to do his will. Richard III seems to be very self conscious and ashamed about his deformity‚ and feels that he is being punished
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setting of King Richard III‚ the power of political language is no different than today. Royals and nobles will do whatever they can with their tongue to get what they want‚ often with success. The language utilized in the play serves as a powerful political tool for Richard of Gloucester. Richard uses his language skills for persuading key figures‚ accusing innocent adversaries of crimes and for spreading false prophecies for his competitors. The power of persuasion is Richard of Gloucester’s
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Good morning/afternoon Throughout my comparative study of texts and context‚ I have explored various connections shared between William Shakespeare’s ‘Richard the 3rd’ and Al Pacino’s ‘Looking for Richard’. As both of these items are based on the same character‚ King Richard the 3rd‚ they share a lot in common. The connection that I have chosen to concentrate on though is the idea of power‚ and how both texts explore this theme. William Shakespeare is an extremely famous English
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In December 1483 the bodies of Prince Richard and Prince Henry‚ only 12 and 9‚ were found murdered in the Tower of London. The mystery of who killed the boys is still a mystery to this day‚ however many suspect their uncle Richard III of York. Many historians who recorded the event explicitly express that they’re certain Richard III is responsible‚ and there’s many valid reasons to support their assumption. Richard III grew up with many siblings which included three older brothers. He was the runt
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