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    Promotional Channels

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     Why do we buy the television we watch‚ the cars we drive‚ the food we eat‚ the clothes we wear and even the toothpaste we use?  We buy them as a result of promotion  Promotion is a form of persuasive communication‚ or getting others to do what you want them to do.  Its function is to inform consumers about a service and influencing them to buy that service. In this case promoting AIESEC as student society and organization.  To achieve desired sales results‚ entrepreneurs must consider

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    Fashion Channel

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    THE FASHION CHANNEL The Fashion Channel is an unique leading cable TV network specialized in only fashion programming with broadcasting 24 hours a day and 7 days per week.The channel has a steady uprising revenue background and profitable high growth above the its’ industry average from the establishment in 1996 by two men who has an entrepreneurial spirit. TFC(The Fashion Channel) has a huge revenue amount of 310.6 million in 2006 with 80 million household viewer who has subscribed to their

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    The Fashion Channel

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    meeting revenue projection and risk of losing cable distribution support due to ratings decrease. Another important aspect is that it’s a well balanced solution between two desired phenomena: differentiation from competitors and creating a loyal customer base which are less likely to shift to competitors programs. Targeting shows to a narrow (and profitable) segment of viewers would brand the network as a premium fashion provider‚ a channel that is focused only on delivering high quality

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    Alpha Channel

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    Abstract The history of digital image compositing—other than simple digital implementation of known film art—is essentially the history of the alpha channel. Distinctions are drawn between digital printing and digital compositing‚ between matte creation and matte usage‚ and between (binary) masking and (subtle) matting. The history of the integral alpha channel and premultiplied alpha ideas are presented and their importance in the development of digital compositing in its current modern form is made clear

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    Non-Life Insurance Distribution Channels in the US to 2017 Market Databook: Order report by calling marketreportsstore.com at +1 888 391 5441 OR send an email on sales@marketreportsstore.com with Non-Life Insurance Distribution Channels in the US to 2017 Market Databook in subject line and your contact details. Synopsis "Non-Life Insurance Distribution Channels in the US to 2017: Market Databook" contains detailed historic and forecast data distribution channels in the non-life insurance industry

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    Subway Art History

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    the subways. It is unclear whether this concept made way to New York City on purpose or if it was an accident. Shortly after the CORNBREAD and COOL EARL effort‚ the Washington Heights section of Manhattan was giving birth to new writers. In 1971 The New York Times published an article on one of these

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    Strategic Alliances in Distribution Cininta Meirinda Clara Sarah Patricia Adam  Their nature and their motives for creating strategic alliances  Building commitment by creating mutual vulnerability  Building commitment by the management of daily interactions  Decision structures that enhance trust  Moving a transaction through stages of development to reach alliances status  What does it takes and when does it pays to create a marketing channel alliance? STRATEGIC ALLIANCES

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    Sales Distribution

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    ACKNOWLEDGEMENT No work is a work of individual. This project is not an exception to it. I owe a sense of gratitude to the co-operation and support of all those people who have let me understand what is needed from time to time for completion of this project. It is very difficult to prepare a project especially when someone is new for this experience. Without any help or guidance it is not easy to achieve this given task. So I would thank all the patrons of this project. I am thankful to HUL

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    “This life he could take so easily and break across his knee like a stick.” This excerpt describes the overall perception of the speaker throughout “On the Subway”‚ written by Sharon Olds. Using descriptive language‚ the poem determines the speaker’s perception. The speaker’s fears of the stranger sitting across from her become the reader’s also by her comments and use of descriptive language. The speaker communicates the stranger’s capabilities over her life more than once in the poem. “.

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    COMMUNICATION CHANNEL

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    COMMUNICATION CHANNEL Communication channels carry the data from one computer to another Two categories of communication channels Physical Connections Ethernet cable – consists of twisted pair cable; slowest; being phased out by more advanced and reliable media Coaxial cable – single solid copper core; 80 times transmission of twisted pair; television and computer networks Fiber optic – 26‚000 times capacity of twisted pair cable; more secure and reliable; best over limited distances; lighter‚ more

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