"Cultures in avatar" Essays and Research Papers

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    their own element means that they can control over it. Then‚ there is the avatar who can control all four elements. The avatar has to maintain the balance in the world. The Avatar: The Last Airbender‚ created by Michael Dante Dimartino and Bryan Konietzko is an American animated television series. It first aired on Nickelodeon back in 2005 and consisted of 61 episodes (each about 22 minutes). In the show‚ Aang‚ the avatar is definitely a hero because he is pretty much follow all the stages of a heroic

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    SHIVA AVATAR Shiva Avatar refers to the various manifestations of Shiva assumed by him to maintain order in the cosmos. The changing manifestations of Shiva do not stain his purity and unchanging nature since he transcends his own manifestations. Shiva is the transcendental background of this universe. 1. Bhairava – The Frightful Bhaya stands for fear and the greatest fear of all living creatures is death. Shiva is named Kaal Bhairava because he eliminates the bhaya of kaal which is time that

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    the government. The value of one’s conscience connects Henry David Thoreau’s Civil Disobedience and James Cameron’s Avatar. Transcendentalism was a literary period in America between 1830-1860 and its messages of valuing one’s conscience‚ achieving a state of mind only possible through a person’s “innate intuition” (Byron)‚ and bettering oneself are shown in James Cameron’s Avatar.     Transcendentalists believe the ultimate power is within the mind and individuality of people. Henry David Thoreau

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    There has been nearly as much criticism as praise for James Cameron’s Avatar‚ which has been garnering the attention and awe of audiences worldwide since 2009. Many people spoke very highly of the film‚ praising its pro environmental warning message and stunning visual effects. Others found fault in its plotline originality and depiction of white and native races in what some thought was a clear neo- colonialist setting. Neo-colonialism is the use of economic‚ political‚ and cultural pressures to

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    Father’ by Raimond Gaita and ‘Avatar’ by James Cameron‚ both texts show that belonging or not belonging is an unavoidable activity and may take many different forms‚ some obvious and others hidden. ‘Romulus My Father’ opens with an immediate sense of insecurity and danger‚ ‘pitchfork held tightly in both hands‚ knowing that he would probably kill his uncle…’ (pg. 1) with Romulus knowing that he did not belong in this place he fled for safety‚ similarly‚ in ‘Avatar’ the opening scene starts with

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    which consists of Brahma (the creator)‚ Shiva (destroyer of worlds) and Vishnu (sustainer). Sometimes these deities can appear in a given representation known as an avatar by a human being here on earth. The avatars often appear to save humans from an impending calamity. The Jain Tirthankara share some similarities with the Hindu avatar. For example‚ both the Jain Tirthankara

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    Avatar: Movie Review Some movies tend to be so drab and repetitive and end up seeming to lengthy‚ but Avatar is the complete opposite. Not only was this movie creative‚ mind-opening‚ and very well written‚ it also had a very great message hidden within its text. It closely related to the predicament between the Native Americans and the English settlers. The sprit and message of this movie are really shown when the Na’vi and the Humans fight for the land the rightfully belongs to the Na’vi‚ thus

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    ESSAY COVER SHEET AN1001 Anthropology Cultural Diversity in Global Perspective Ethnocentrism in Anthropological perspective - Avatar Joey Tan 12866249 Study Period 51‚ 2014‚ Singapore   Ethnocentrism in Anthropological perspective – Avatar The film‚ Avatar‚ is primarily about the two clashing world-views at the core of the relationship between the civilised and the wild. The story’s protagonist is a paraplegic marine‚ Jake Sully‚ who agreed to substitute his deceased twin brother’s place

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    Tipping Point: Age of the Oil Sands and James Cameron‚ the genius behind the movie Avatar‚ show the struggles many aboriginal people face in their daily lives due to the government’s inability to lead one’s society properly. In these films‚ Avatar and Tipping Point‚ one views the selfishness of the government and how their greed interferes with the lack of action. The Canadian Government and the Corporation on Avatar‚ want to find a fast solution to a problem that they should think thoroughly about

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    as our storytellers and influence our thoughts and morals. One television show not only acts as one of these modern-myths‚ but reuses some of the same motifs commonly present in past and current mythology: Bryan Konietzko’s and Micheal DiMartino’s Avatar: The Last Airbender. The motif we see in this series is commonly known as “The Monomyth” or “The Hero’s Journey” as originated by Joseph Campbell’s The Hero with a Thousand Faces. To get an understanding of the presence of the motif in the referred

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