means black. Perhaps Jesus identified as crossing this dark dry brook as passing from the Holy of Holies to the place where sin in all its darkness appeared to enjoy a monetary triumph. II. The Betrayal and Arrest of Jesus (18:1–14). “When He had finished praying‚ Jesus left with His disciples and crossed the Kidron Valley. On the other side there was an olive grove‚ and He and His disciples went into it. Now Judas‚ who betrayed Him‚ knew the place‚ because Jesus had often met there
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(Morgan Library‚ Metz). They are both centered on Christ crucified on a jeweled cross surrounded by mourning figures in gold repoussé reliefs. Although both the cover of The Lindau Gospels and the upper cover of the Codex Aureus Epternach feature a crucifixion scene‚ large embedded gems‚ and gold repoussé reliefs‚ they differ greatly when it comes to the language of the book‚ who it was dedicated to and written for‚ and who is on the cover. The Lindau Gospels were a product of the
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207) and The Crucifixion by Francisco de Zurbaran (1627‚ Spanish; gallery room 215). These two paintings focus on Jesus Christ‚ his humanity and his divinity. I chose them because they represent Jesus’ fragile humanity through his infancy and death. These paintings struck me as different from the other religious art I had seen because it stresses humanity without sacrificing divinity. Weyden illustrates the beauty of humanity with a poignant portrait of The Virgin Mary breastfeeding Jesus as an infant
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Can There Be Too Much Passion? On Ash Wednesday 2004 The Passion of the Christ directed by Mel Gibson was released for the world to view. This movie is Gibson’s depiction of the last twelve hours in the life of Jesus of Nazareth‚ on the day of his crucifixion in Jerusalem. Some commentators find the film overwhelmingly violent‚ while others argue that the media exaggerated the violence within the film and found the movie entertaining‚ educational and gave a true understanding of the word passion
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ART 101 20 July 2012 Moving Beyond Belief This critique paper is the very first critique paper for art I have ever done. When reviewing the different paintings that I had to choose from to write my paper on‚ none of them caught my eye like Peter Paul Reubens‚ “The Raising of The Cross”. The painting was created by use of oil paint on wooden panels in the year 1610. There are many aspects about this painting that catch your eye but
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proudly as if preparing for battle. The purpose of this essay is to show how the author of “The Dream of the Rood” links older‚ pagan values to newer‚ Christian values. The Rood was not portrayed as the criminal execution system it actually was. Crucifixion was brutal. Convicted criminals hung on a cross for hours. History paints a picture of a horrific execution system. Adorning a cross with precious metals or stones would not only glorify the cross‚ but the criminal hanging on it. The cross was not
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The Descent from the Cross (Deposition of Christ) by Roger Van der Weyden it measures roughly 7 feet x 8.5 feet‚ and is located in Great Crossbowmen’s Guild of Louvain the medium used is Oil on oak panel. The second piece is Merode Altarpiece created by Robert Campin the piece as a whole measures 25 3/8 x 46 3/8 in‚ it is located Tournai‚ South Netherlands and the medium used is also oil on oak panel. 2. In the first panel of the Merode altarpiece a messenger is depicted on his knees seeming
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recounts a diver’s descent and ascent into a river as onlookers eagerly anticipate his fate. Beneath the surface‚ this poem is actually very spiritual. The diver’s descent into the water‚ and his arising from the water‚ can be compared to the crucifixion of Jesus. Through the masterful use of imagery and Biblical comparisons‚ Currie depicts the message that rebirth and hope can captivate and revitalize our spirits. An essential key to the theme of "The Diver" is through the subtle yet prevailing
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existence in the world and to better obtain a perspective of oneself as being a part of higher‚ fated life plan. Dreux Budé Master creates a very somber setting in his painting of The Crucifixion (1490). His painting is played in a three-dimensional perspective‚ with obvious emphasis directed toward the crucifixion of Christ. Christ himself is the epitome of the humanist form‚ his sacrifice for the people before him. His earthly inhabitance paving the way for all other humans alike‚ allowing them
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The Dream of the Rood c. Eighth Century Old English poem. The Dream of the Rood has been heralded by scholars as the finest expression of the Crucifixion theme in Old English poetry. Though it focuses on a motif common in Old English poetry‚ The Dream of the Rood is unique in describing it from the viewpoint of the Cross and within the context of a dream vision. The poem thus becomes a philosophical one‚ and‚ as John V. Fleming has asserted‚ "the vehicle of an ascetical-theological doctrine which
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