Good Cop or Bad Cop? “Who is the man that would risk his neck for his brother man?” Many have heard these lyrics for over 30 years from the theme song of a very well-known African American detective movie. The answer is Shaft‚ John Shaft to be exact. The 2000 version starring Samuel L. Jackson proved to be just as good as the first. Although‚ this Shaft happened to be the nephew of the original one‚ played by Richard Roundtree‚ Samuel L. Jackson did not disappoint. Shaft showed even more cleverness
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The post-WWII American literature – its trends and themes. The United States undoubtedly contributed to the end of the World War II by the support given to the Allies. 1945 is the year of the end of the war but at the same time it is the beginning of the United States’ domination almost on all fields on the international area. Before the World War II the cultural center of the world was Paris – after the war it was New York. That happened mostly because of the intellectual emigrants from Europe
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into vacuous roles such as the romantic interest‚ damsel in distress and femme fetale. Female characters are given little to no agency by white male writers and this is overt in 20th century hard-boiled American crime fiction. In the works of Dashiell Hammett and Raymond Chandler‚ female characters exist only to serve as foils to re-emphasize the hyper-masculinity of the Continental Op and Phillip Marlowe‚ their respective detective protagonists. I put emphasise on the quantifiers ‘white’ and ‘male’
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1. A static character is a character which does not change during the course of a story. Sam Spade is a static character because by the end of the book The Maltese Falcon‚ Spade still seeks his own type of justice and he still retains within him a detachment to the world as seen when he has the police take Brigid away at the end. Another character that can be viewed as static is Stevens from Remains of the Day. Although towards the middle and end of the book‚ Stevens appears to start regretting
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Starting out with a mere case about a blackmail situation‚ Marlowe‚ the detective‚ ends up solving a bigger case about the death of Rusty Regan and learns the deeper and scarier truth about human nature and desires. Chandler’s The Big Sleep portrays ambitious characters committing real crimes that are mentioned in the article “The Simple Art of Murder”. According to Chandler‚ good detective fiction comprises of real life situations. Chandler tried to fabricate a realistic situation so that the novel
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Marlowe - The Big Sleep What are my traits? Marlowe runs a single man operation out of the Cahuenga building in Los Angeles. He is tall and big enough to take care of himself. And his interests are Liquor‚ women‚ reading‚ chess and working alone. He is educated enough that he can speak English if he’s required to’. Marlowe used to work for the district attorney‚ but was fired for insubordination. Philip Marlowe‚ a private detective. Tall‚ dark‚ and rugged‚ with a poker face and a quick
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Good morning/ afternoon‚ teacher and HSC students‚ Distinctive voices are an imperative device of language as there are various types and functions of voices in texts. The way language is used to create voices in texts and to show how it is used to express the interpretation and to shape the meaning of distinctive voices‚ I will be using examples from crime fiction text‚ “The life and Crimes of Harry Lavender” by Marele Day‚ which both supports and subverts the traditionally male hard-boiled detective
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The Maltese Falcon‚ was not only a detective film‚ but a film that displayed many different aspects of the female and the male character in the movie. The film was more than a story‚ but a story that explored the ideas of the detective genre and the different characteristics of femininity and masculinity. It also brought forth subjects of sexual desires and the greediness of money. The characters and the visual motifs in the film contributed to the developing of the plot and assisted in creating
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Juliya Stafeyeva ENG 3270‚ BMWA Prof. Taylor The Maltese Falcon is the classic hardboiled private-eyed movie that is a great example of prototypical film noir. The main character Sam Spade is undeniably a tough and smart guy whose actions are provoked by a stunning femme fatale Brigid O’Shaughnessy. While everyone in the story eagers to find a priceless artifact‚ the black statuette of a Maltese Falcon‚ and is driven by their greed‚ Spade acts as he
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The Big Sleep: Point of View “I was neat‚ clean‚ shaved and sober‚ and I didn ’t care who knew it” (Chandler 3). In The Big Sleep‚ a hardboiled crime novel published in 1939 by Raymond Chandler‚ the protagonist‚ Philip Marlowe‚ effectively relates to his audience through first person point of view. Although there are several benefits of third person point of view‚ in first person readers are able to engage in the story and feel apart of the investigation. Chandler does this by providing Marlowe’s
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