Medea and Dido “Love is like a friendship caught on fire.” (Bruce Lee para. 1). Love can burn. Whether the burn is pleasant or ruthless is for your own experience. However‚ two women in the ancient societies can demonstrate the uglier side of love quite easily. The women are Medea and Dido. They each fall in love with great heros with the help of gods‚ and each of them made great sacrifices for the men. Medea kills her brother for Jason‚ which ensures
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Euripides’ Medea and Seneca’s Medea are the two surviving ancient tragedies of Medea. Both versions are drastically different and contrast in several aspects. Euripides portrays Medea as more human. She is the epitome of the oppressed housewife and only after her suffering is she capable of the crimes she committed. Seneca’s Medea is even more vengeful than Euripides’ and she is angry from the very beginning. Seneca’s version also portrays Medea as a vengeful sorceress whereas in Euripides’ version
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The Aeneid and Medea Book IV of The Aeneid is an epic poem that is considered one the best known works of Virgil in 20 B.C for the Roman civilization. On the contrary‚ Euripides was known throughout Troy for one of his tragic epic’s named Medea. Virgil and Euripides are from different civilizations and wrote the plays in different years‚ they might not have known each other but in both works they describe the dangers of excessive pride. Hubris is another word for pride by the Greeks. Book IV of
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for them. It was unheard of for women to be out in the streets like this period much less at night. The women of Athens formed together to plot against the men to bring them home from the war. As the women were gathering to plan against the men‚ Lysistrata said‚ “I’m on fire right down to the bone. I’m positively ashamed to be a woman—a member of a sex which can’t even live up to male slanders! To hear our husbands talk‚ we’re sly: deceitful‚ always plotting‚ monsters of intrigue...”(728) this quote
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around comes around” they all say. Karma that is‚ some people believe that when you wrong others‚ you will in due time be wronged as well. Karma can be given out by the person who has been wrong‚ or it can be totally natural. In the Greek play Medea‚ Medea sets out to hand deliver karma to the woman Jason cheated with and plans to marry. She makes an intricate plan to give the princess of Corinth a lovely robe paired with a diadem‚ and to these items she laces it with deadly poison. The poison not
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Medea notes: Written around 431 BC and set in Corinth Medea had a natural passion for revenge The play revolutionised revenge tragedies by letting its heroine off the hook What happens: At the beginning Medea is in dire straits‚ her husband Jason has married Glauce daughter of Creon king of Corinth and on top of that Creon banishes both Medea and her two sons. She swears bloody revenge sets about finding a way to kill them all. She convinces Creon to allow her to stay one more day to put
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Medea and The Bacchae agitate the definitions of Greek tragedy. They both contain the basic devices of a tragedy: a chorus‚ a flaw‚ a catastrophe‚ and an intervention of fate or free will. However‚ they lack the feeling of moral purpose found in the works of Aeschylus or Sophocles. The senselessly violent endings and ambiguous character development in Medea and The Bacchae are purposeful to the overall theme of confusion. In terms of a theatrical spectacle‚ the uncertainty of what is happening on
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Aristophanes’ Lysistrata is an excellent example of satirical drama in a relatively fantastical comedy. He proceeds to show the absurdity of the Peloponnesian War by staging a battle of the sexes in front of the Acropolis‚ worshipping place of Athena. Tied into all of this is the role of sex and reason and is evident in the development of some characters and the lack of development in others. Although the play is centered on Lysistrata‚ the story is truly propelled by the ideas of sex and reason
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Antigone‚ by Sophocles and‚ Lysistrata by Aristophanes are both pieces of art studied and fascinated within the time frame they were made and still are to this day. The tragedy‚ Antigone‚ and the comedy‚ Lysistrata‚ both encompass women who go against their customs and laws; but what sets these two so widely apart‚ is the outcome in which each women face in result of their actions. Antigone is told and begins with the assumption that readers know the background and characters within it‚ this is
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The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles’ Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority‚ while Aristophanes’ Lysistrata reveals that challenging authority in the polis becomes acceptable only when it’s faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the
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