Medea Medea is a character existing outside of the typical Greek value and social systems that existed in the Greek Polis’s at the time of the play’s inception. She is strong willed‚ powerful‚ intelligent‚ cunning‚ volatile and independent. She possesses many traits and characteristics reserved and associated with Greek heroes in other plays common at the time. It could be possible to assume that a typical Greek audience of the time (likely predominantly male) would find this character absurd
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Sex-strikes have been used in history to prevent and end wars since the early 1600s‚ but first written about in the play Lysistrata by Aristophanes in 411 B.C. The main premise of Lysistrata has had a lasting effect politically on the way that certain events have been improved and averted. The way that the women were written by Aristophanes was advanced for the time period that the play had taken place. Having the experience of a play differs drastically than reading it to yourself‚ quietly in your
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share similar characteristics. Medea from Euripides’s play Medea and Clytemnestra from Aeschylus’s play Agamemnon display and share tragic traits. They are both vengeful wives who share similarities in the cause of their vengeance but have some differences in their chosen means of revenge; as a result of successfully exacting their revenge both Clytemnestra and Medea cause their own downfall. Both Medea and Clytemnestra seek to hurt their husbands for betraying them. Medea uses the best source of revenge
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Medea displays several characteristics of feminism by giving power to a woman. Medea’s husband‚ Jason‚ has married another woman. Then‚ Creon banishes Medea and her two sons from Corinth. However‚ she is not the kind of woman who sits back and weeps when betrayed‚ but rather plans revenge‚ finding a way to kill them all. She does not feel the need to lower her self-worth in comparison to that of a man’s and within this‚ are the signs of feminism. Through the school of feminist criticism and analysis
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Aristotelian Analysis – Music/Sound & Spectacle (Medea) V. Music/SoundThe Use of Sound in Medea Eurypides uses sound to great effect in Medea. Perhaps most prevalent is the fact that all the women are played by men‚ most likely talking and singing in a high pitched falsetto‚ giving the play a high‚ screeching tone‚ which would certainly put the audience on edge. This would add to the tension‚ and provide an exaggerated contrast between the men‚ speaking in their natural voices‚ and the women
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Similar to the Chorus‚ the Nurse is also very compassionate with Medea and depicts the effect of Jason’s actions on her and her children. The wickedness and evilness of Jason is highlighted as his betrayal of Medea resulted in his misery. In the same time‚ they let the audience know of her internal conflict‚ as “this passion of hers is an irresistible flood.” (p. 23). As mentioned by the Chorus‚ Medea’s hate is not only for the broken oath but it is also for her loneliness‚ as they say to her: “a
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impossible to take sides at the end of the play; both Medea and Jason are equally guilty. Is it possible to feel sympathy for either of them?” Medea is the tragic story of a woman desperate for revenge upon her husband‚ after he betrayed her for another woman’s bed. It was written by Euripides‚ a Greek playwright‚ in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities‚ in particular‚ Jason and Medea. The play opens with the Nurse expressing her anxiety
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In the play Medea‚ the enchantress Medea seeks revenge on her husband for marrying another woman and abandoning her. Like most Greek plays‚ the chorus is used to guide the audience’s opinions and feelings. Euripides uses the chorus to influence the audience’s the perception and sympathy of Medea throughout the play. In the play‚ the chorus‚ consisting of a group of Corinthian women‚ originally supports Medea’s desire for revenge‚ but its view changes as the play progresses. At the beginning of the
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protest against the highly anticipated Peloponnesian war by refusing sexual contact with their partner is considered implausible‚ especially considering the period of time in which the play was based in. It was not until the end of the play where Lysistrata‚ the leader of the revolt is finally able to pitch her idea in forming a peace treaty between Sparta and Athens. The play suggests that Lysistrata’s reasoning of wanting the war to end was for the wives to be kept company at home by their husband
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In a normative context‚ contemporary society puts a much larger emphasis on family and community than society did in the time of Medea. Specifically‚ society today promotes an environment of equality between people of different genders‚ classes‚ and ethnicities. Women are no longer bound to men after marriage‚ and attain the same rights as them. Foreigners are granted the same rights after immigration. Overall‚ this creates a familial community of cooperation rather than a patriarchal or power-structed
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