THE THEOPNEUSTY OF THE HOLY SCRIPTURE The Doctrine of Inspiration and Its Critics Clements Romanus a church father refers to the scripture as being true through the Holy Spirit. Augustine refers to scripture as god’s handwriting or a letter from heaven. Aside from the term inspiration he also used dictation and direction. He gives reference to inspiration perhaps as a consequences of the translation into Latin of 2 Timothy 3:16. But He does not fix these term dogmatically because He also
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theory is maybe it will be great if we also analyses about the background of the literary works too‚ not only with analyses the text. I think the background of the text of literary works also important to being analyses. The second theory is New Criticism‚ is the theory which have the similar think with Russian but at this theory we also analyses the text by moral values and cultures. I think it’s better than the last one before because this theory is not depend based on the text analysis but also
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MATTHEW ARNOLD “THE STUDY OF POETRY” (1880) In his anthology of English poetry‚ Arnold illustrates the allegedly objective critical judgment of which he speaks in “The Function of Criticism at the Present Time” in terms of his selection of those poets worthy in his view of being anthologised. In his preface to the anthology‚ he clarifies what he means by ‘judgment’ by turning his attention in particular to the questions of literary history and canons. The main criteria informing Arnold’s approach
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Film authorship‚ or auteurism‚ is a way in which film can be categorised according to the stylistic and narrative elements of the director. Auteur theory usually attributes the creation of a films artistic style solely to the director. Film authorship can be explored as a commercial‚ textual‚ or critical category as explained below in relation to the films of director David Lynch. The concept of the director as “auteur” was brought about in an article by French film critic Alexandre Astruc featured
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or even traitors‚ and they may suffer both legally and in terms of their reputations.” In reality‚ however‚ whistleblowing informs the public that not everything is how it seems and calls for recognition of these problems. Despite many negative criticism toward these whistleblowers‚ in the course of history‚ they
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The meaning of a literary work resides with the reader; a statement that the school of Russian Formalism would disagree with. Eichenbaum‚ Schlovsky and other scholars would argue that the audience has little to no relation with the text and therefore‚ cannot be a vessel of meaning for a literary work. For formalists‚ the form of the literary work creates the meaning that readers desperately seek. However‚ there is another school of literary theory that would argue against the Formalist thought;
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CRITICISM OF “MIGHT IS RIGHT” BY RAGNAR REDBEARD BY OKOYE FRANKLIN NNAEMEKA PJPS/NAU/010/48 08066129459 NNAMDI AZIKIWE UNIVERSITY‚ AWKA. JUNE 2013 1 TABLE OF CONTENTS TITLE PAGE ---------------------------------------------------------------i CERTIFICATION ----------------------------------------------------------ii APPROVAL -----------------------------------------------------------------iii DEDICATION --------------------------------------------------------------iv ACKNOWLEDGEMENT ------------------------------------------------v
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Marian Maguire‚ Medium and Materiality Marian Maguire’s framed lithograph on paper‚ Virago (1990)‚ can be found on the fifth floor of the James Hight Library by room 542D. Print dimensions are 720mm x 430mm. The work has been exhibited at the Canterbury Gallery in the 1991 exhibition “Life Cycle in Lithographs” and was purchased for the University of Canterbury by the now defunct Library Art Acquisitions Committee in 1995. Lithography by its very method of production with the flat stone printing
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oppressed. The school of resentment views the traditional canon politically‚ as a means the social elite drives home the inferiority of subject classes. School of Resentment is a term coined by critic Harold Bloom to describe related schools of literary criticism which have gained prominence in academia since the 1970s and which Bloom contends are preoccupied with political and social activism at the expense of aesthetic values. 3. Other challenges serious literature face in the modern world
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The Hague/Paris; Mouton‚ 1957‚ P.15 Abstract: Environmental or ecological studies first stated with literature‚ scientific studies came at a later date. But environmentalism has been very slow to develop a school of criticism in the academic humanities. The tradition of eco-criticism came to be formally inaugurated in the meeting of the Western Literature Association in 1980. Some prominent literary critics grew sick of the postmodernist theoretical preoccupation with ‘social constructiveness’ and
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