Managing Conflict in Relationships Key Concepts Bracketing- Noting that an issue arising in the course of a conflict should be resolved later Conflict- Contracting- Building a solution through negotiation and the acceptance of parts of proposals Cross-Complaining- Exit Response- Physically walking out or psychologically withdrawing Games- Highly patterned interactions in which real conflict is hidden or denied Grace- Granting forgiveness or putting aside our own needs when there
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CONFLICT IN ROMANTIC RELATIONSHIPS As long as people have gotten romantically involved with one another‚ there has been conflict within those relationships. Some people argue that conflict is bad for the relationship and will ultimately lead to the demise of that relationship. Others argue that the conflict is good for the relationship and will help it to flourish. Conflict can be both positive and negative for a relationship. It can both help and hinder the relationship. No matter
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Desdemona is trapped by societal boundaries and expectations of women in the Elizabethan Era‚ supposedly assuming the role of a dependent‚ innocent and honest wife. However‚ despite this expectation‚ Desdemona is rare in that she openly voices her opinions about her circumstances‚ being shown as a flawed character from Act I‚ Scene I; eloping secretly without her father’s knowledge. Desdemona’s flaws are apparent from her first presence in Othello‚ clearly overthrowing her prior image of perfection
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Towards the start of the play Desdemona is presented as a very prized and desirable woman with her father‚ Brabantio‚ referring to her as “so tender‚ fair and happy” – the rule of three shown within the quote is used in emphasis of how appreciated and desirable she is seen as by her father. We also see the character of Cassio describe her as a “most exquisite lady” showing how high she is held by those she knows and that she‚ unlike other woman at the time is regarded for her character rather than
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Dynamics 8 of the 12 essential questions ChangeMain Character Resolve Othello changes from a noble and just groom who declares‚ “But that I love the gentle Desdemona‚” (I‚ii‚27) to a foul-minded‚ irrational husband who vows‚ “I’ll tear her to pieces.” (III‚iii‚483) He changes from treating her gently to striking her in public‚ calling her a whore‚ and murdering her in an unfounded jealous rage. StartMain Character Growth Othello must start to realize that he can’t run his marriage using the same
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The Impact of the Relationship between Othello‚ Iago and Cassio Upon the Themes of Othello The major themes present in Othello are Jealously‚ Betrayal and Appearance vs. Reality. Each one of these themes are reinforced throughout the play in Iago’s evil plot. They are represented or seen by Othello‚ Iago and Cassio and the relationship between them; dictating the motion of the play. Othello is the main character of the play. He is a moorish general and head of the army
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Ugly black twisted tree in the middle of a green field and a butterfly is chained next to it RACE and GENDER MANIPULATION: Iago manipulates Brabantio into believing Desdemona ran off with Othello in a negative way Iago manipulates Cassio in drinking and starting a fight Iago manipulates Othello into thinking Cassio and Desdemona are having an affair GENDER ROLE: Iago’s depiction of female- his treatment and rude comments about Emilia and Bianca Iago’s telling Roderigo women only wanted sex
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Othello By: CMB 1. To analyze the structural development of Othello‚ consider Othello’s autobiographical speeches in act 1‚ scene 3. Explain how Othello’s portrait of himself and his cultural background might have contributed to his manipulation of Iago. Answer: Based on Othello’s autobiographical speeches in act 1‚ scene 3‚ it shows that Othello has no knowledge of his own to counter this insider’s generalizations about Venetian wives. He knows nothing of Venice apart from the few months’
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Literature The focus of the play Othello is not so much Othello’s flaws and weaknesses but more Iago’s villainy. A thorough analysis of the play Othello tends to reveal that the focus of the play is actually about Othello’s flaws and weaknesses rather than Iago’s villainy. This conclusion has been reached due to the fact that many elements of drama as well as a characteristic of Shakespearean tragedy are centered on Othello and his imperfections. In essence‚ the conflict and thematic concerns which
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Othello In the beginning of the play‚ Othello is mentioned in description by Iago and Roderigo during their discussion rather than being physically present; “The Moore”(1.i57) ‚ “the thick-lips” (I.i.66)‚ “an old black ram” (I.i.88)‚ and “a Barbary horse” (I.i.113). Other than description‚ we do not see Othello till Act 1‚ scene iii. We understand in the beginning through Iago And Roderigo’s discussions that Othello is an outsider‚ by description racially and culturally. I believe Shakespeare
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