INDIAN COMPANIES ACT‚ 1956 | PROMOTER | BBM 501 – CORPORATE LAW | PROMOTER * Promoter – Person who does the necessary preliminary work incidental to the formation of the company‚ undertakes to do all the incidental work necessary to bring the company into existence * The first persons to control the company’s affairs chronologically‚ as they conceive the idea for forming the company with an objective‚ provide the company with share or loan capital and acquire the business or property
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The Case of Live Nation Executive Summary After the spun-off from the radio giant Clear Channel Communications in 2005‚ Live Nation‚ the world’s largest events and live music promoter is now preparing itself to go even bigger. Led by CEO Michael Rapino‚ Live Nation is revolutionizing the music industry from a concert business to a one-stop shop that would make every fan and artists musical ends meet. Live Nation’s arising strategy is to connect the artists to the fans in every aspect possible
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PART A (a) Promoters & Pre-registration contract A promoter is a person who is involved‚ actively or passively‚ in forming a company‚ raising its capital and establishing its business at any period prior to the company obtaining a certificate of complete registration: Twycross v Grant.[1] Part 2B.3 of Corporations Act 2001 (Cth) purports to overcome the common law difficulties of earlier cases based on the law of agency[2] and provides an exclusive set of rules to determine primary and secondary
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Live Nation Entertainment is one of the biggest producers of live entertainment in the concert and event promotion industry. Since the merger of Live Nation and Ticketmaster Entertainment‚ Live Nation Entertainment has produced and coordinated thousands of concerts and events all over the United States as well as internationally. Live Nation currently holds over 160 venues across North America‚ South America‚ and Europe. The company’s chief executive officer‚ Michael Rapino‚ is attempting to
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Metropolitan Opera‚ among other cases. The first part of the new case‚ dubbed Lady Gaga(A)‚ places students in the shoes of the pop star’s manager‚ Troy Carter‚ who faced the daunting and sudden task of launching the performer’s first major solo concert tour in 2009. Elberse developed the case based on extensive interviews with Carter and several other executives who are part of team Gaga‚ including Interscope Geffen A&M Vice Chairman Steve Berman‚ Live Nation’s global touring CEO Arthur Fogel
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1. What might be the primary and secondary motives for a jazz fan attending this event or a family attending one of the summer evening open-air concerts? * Primary motives of a jazz fan are about their love in music and the secondary is to have freedom and feel the fun in their personal interest. * Their motivations and purposes to attend are completely different. While the first group is mainly motivated by the performances themselves and they do travel from one city to another with the
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Started From the Top Just like many other rappers‚ Aubrey “Drake” Graham raps about how tough his life is/was and how he went from having nothing to having anything he wanted. However many people claim that these rappers rap about a life that they have never truly lived and that they try to create a public image that is fake which portrays them as a thug when they truly are not. In the articles‚ “Faux Americana: Why I Still Love Bruce Springsteen”‚ by Stephen Metcalf and “More Rock‚ Less Talk:
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Among my most meaningful performances‚ I think the ‘Hong Kong Adventist Hospital Foundation Little Heroes Sharing The Love Concert’ has been the most worthy one because this concert in particular had the objective of raising funds to provide medical help to poor people in Africa‚ that cannot afford medications. In this occasion I felt the matter was not just about playing in concert but through the power of music I got to instrumentally help a cause. Besides that‚ at the age of 14‚ I began to learn the
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ways to support the artist. We pay for their shirts‚ hats and concert tickets. Plus there are still people out there who do buy their music. If music fans everywhere decided to start downloading from the internet I am sure that the music companies would find some way to make the consumer pay for it. Yes‚ they are losing a lot of money from the millions of people who download music‚ but they still make millions with their concerts and possibility of being able to lend music to a commercial. Plus
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Whether it’s a music festival‚ DJ set‚ or classical concert‚ these musical experiences outline social experiences in everyday life. In Musicking: The Meanings of Performing and Listening‚ Christopher Small discusses the different types of appropriate behavior for various concert settings. Specifically‚ Small describes the classical music experience as a gathering of “middle-class white people” with posh etiquette and an interaction of consumers and producers. Many behaviors I observed at the Taiwan
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