The Dramatic Appeal of Human Props in Greek Drama In both The Medea and Lysistrata‚ powerful women wage wars against the male-dominated status quo‚ harnessing minor characters as pawns to achieve their desired ends. Like all dramatic props‚ these manipulated characters do not have motivations or character arcs‚ nor do they single-handedly propel the action of either play. They serve as symbols rather than people‚ vehicles which Euripides’ and Aristophanes’ female protagonists
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Medea and Lysistrata are two women who both feel that women in general are ill-fated. They individually attempt to rectify their own misfortunes by seeking their own form of justice. Lysistrata felt that men were only prolonging the war with their pigheadedness. Medea‚ however‚ feels that she has been played dishonorably by Jason‚ causing Medea to wreak vengeance upon Jason in any way she can and anyone within reach is fair game. Both women individually plot and scheme to achieve their desired results
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ideas of democracy. Throughout Aristophanes’ Lysistrata and Plato’s “Allegory of the Cave” and the Crito‚ many different ideas of free speech surfaced and soon these different texts became very important artifacts relating to free speech. Although Aristophanes and Plato both value free speech within a democratic society‚ they both propose different arguments in support of its exercise both having different things to say. Throughout Aristophanes’ Lysistrata‚ he utilizes the voice of women in
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Compare and Contrast of Medea and Alcestis by Euripides My mom isn’t that much of an outdoor person‚ but every year for as long as I can remember she’s went to the all night catfish tournament with dad. Not because she particularly enjoys it‚ but because dad asks her to go with him. A marriage is about give and take‚ but this sacrifice seems like a small one compared to what Medea and Alcestis gave up for their husbands in two of Euripides’ plays. Although Medea and Alcestis are alike in their
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properly’ but is unaware of her independent nature and is ill prepared for what lies ahead. In the opening act‚ when Higgins finds her in Convent Garden‚ Shaw portrays Eliza as unfeminine and outspoken‚ if not somewhat rude and this is in sharp contrast to the ladies‚ Clara Eynsford-Hill and her mother‚ who are waiting in the rain expectant that Clara’s brother‚ Freddy‚ will do his duty’ and provide them with a taxi. They are quite disgusted by Eliza’s attitude and Mrs Eynsford-Hill is obviously
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Lysistrata “There is no beast as shameless as a woman” Aristophanes was a craft comedy poet in the fourth century B.C. during the time of the Peloponnesian War. Aristophanes’ usual style was to be satirical‚ and suggesting the eccentric. The most absurd and humorous of Aristophanes’ comedies are those in which the main characters‚ the heroes of the story‚ are women. Smart women. One of the most famous of Aristophanes’ comedies portraying powerfully capable
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In this essay I will be comparing and contrasting the way in which two different authors portray femininity in their respective dramatic texts. The two works I am using are Pygmalion by Bernard Shaw and Medea by Euripides. I will be looking at how the way men and women are portrayed can affect the way we interpret the texts‚ and showing that femininity isn’t necessarily a trait restricted just to women. I believe that femininity reflects expected female behaviour. There are certain traits which
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the plays Hedda Gabler‚ Hedda Gabler‚ and in Medea‚ Medea‚ both did not accept their typical role in society as women. Similarities that may connect these women and their refusal to be a typical woman are that they both were high class‚ and that they were both raised by their fathers. Differences that set Hedda Gabler and Medea apart are that Hedda cared deeply about her reputation‚ and that Medea has true love for her husband‚ Jason. Both women‚ Medea and Hedda‚ were raised in a very high class
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predominant issue that can be seen throughout history and in literature. In the comedic Greek play‚ “Lysistrata” by Aristophanes‚ both women and men are characterized by stereotypical thoughts; that men are the providers who have authority‚ and women are wild‚ impractical caretakers of the household. There is one though‚ who defies some the stereotypical thoughts of women‚ and that is Lysistrata‚ a strong‚ cunning‚ intellectual women who devises a plan to end on ongoing war that has left all the
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Lysistrata is a play about female agency in 5th century BCE Greece. What makes the sources of its humor different from those in The Acharnians or The Clouds? What comic truth does it try to convey that makes it different? Is the woman’s revolution it depicts permanent or temporary? Lysistrata is Aristophanes’ peace play‚ Compared with Acharnians and clouds‚ the protagonist of this play is a woman. Angry with the way men have devastated Greece through their love for the war‚ she arranges a group
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